#which just reminds me of the whole episode i had another day where my inbox was scrambling to define what a femboy was

[todayisafridaynight]

I’m fucking sorry how TF does Eric have a beautiful twunky body as a Taxi driver?

HEY hes not JUST a taxi driver. he also a henchman......

[thatesqcrush]

Voire Dire, Pt. 2

Rafael Barba x Reader. Warnings: heavy kissing/touching, some language. WC: 4,072. Episode References: 19x13 & 22x04.

A certified workaholic, Rafael had little to no time for any kind of romantic relationships. His last one, with Yelina, years prior, ended badly. It was during that relationship he had expressed deep feelings and she rebuked him, using him as a stepping stone to his former friend, Alex Muñoz. That was not to say he was celibate; he had needs - desires; and he bid his time with men and women who also exhibited similar interests. They warmed the bed, but never the heart. It was just easier to focus on work - work required no emotion.

Rafael found his mind wandering as the cab took him home. He was drawn to you the moment he stepped through the 8th floor doors where all the junior ADAs were working. He recalled when he sat in a similar room, in Brooklyn, before he made his way up the ladder. Things were so much easier then, even if he didn't recognize it at the time. The world was an old movie: all black and white and it was high noon. He was Gary Cooper and absolutely sure absolutely who were the good guys, who were the bad guys.

The kiss replayed in his mind like an endless looping device. You had bright, lush lips that he was pretty sure were designed to drive anyone of any orientation mad. When you had kissed him, it certainly took him by surprise - a wonderful surprise. He allowed himself to relish in the taste of your kiss - the invitation you gave when you moaned and opened your mouth more, so he could slide his tongue into your mouth. 

For the briefest of moments, he ignored the rational part of his brain. All cares were thrown into the wind. And then his moral compass, which was spinning and spinning and spinning, came to a sudden stop as it dawned on him that you had been drinking.

The kiss - was an impulse born out of your drunken stupor. He hadn’t missed however, the look of disappointment on your face when he broke the kiss and stated he should not have done that.

When he finally made it back to his apartment, he found himself unable to wind down. The mind of the prosecutor now turned defense lawyer, was racing with a million thoughts at once. Despite the busyness of his mind, there was one thing that he was sure of. 

Kissing you was tantalizing. And he wanted to do it again.

He changed into burgundy sweatpants and his old ratted Harvard shirt and poured himself a night cap. He was certain your email was like his when he was there: first name (dot) last name (at) manhattanda (dot) org. Ever the perfectionist, he opened his email and looked up the D.A. 's office's website. Sure enough, there was your contact information (and he was right about your email). 

The plan seemed simple enough: first, apologize once more for doing anything without your explicit consent; second: ask for a do-over but he didn’t want you to feel any kind of pressure. Nor did he expect you to acquiesce - and that if he did indeed overreach, it was noted and he would keep things completely professional. 

He hovered over the send button for longer than he would have anticipated. Finishing his drink, he took a deep breath and hit send. And then went to bed feeling antsy - like a child the night before their birthday.

**

The sun shone brightly the next morning, filtering through the partially open shades. Rafael groaned as he stretched, with his back and shoulders making a cracking sound as the bubbles burst in the synovial fluid around his joints. It was simultaneously satisfying and a reminder of his age.

The coffee maker beeped, signaling it was done brewing. Rafael made way to the bathroom to take care of his morning ablutions. He helped himself to coffee and then sat back in bed to read the paper on his iPad and get caught up on the latest happenings while he was asleep.

For a moment, he forgot about his email to you. He opened his inbox, mentally gearing himself for an email from you rebuking him, or worse, no response at all.

His normally steel stomach flipped when he saw there was an email.

Rafael, you have nothing to apologize for. I would love a do-over. Name the place/time, and I’ll meet you. My phone # is 718-371-5952. -Y/N

Rafael looked at the timestamp on the reply. You were up early. He scratched his beard and wondered if it was too early to text. 

‘It’s too early to text Rafael, coño.’ He chastised himself. ‘Es muy temprano; después. Ya no eres un hombre joven; necesitas relajarte.

**

You were distracted at work. You couldn’t focus one bit. You tried to immerse yourself with work, but you were anxious. You kept checking your phone to see if Rafael had texted you. Groaning, you took your phone and threw it into your drawer. You opened a new browser window when Marjorie strolled in. She had black oversized glasses and a hoodie. In her hands were two coffee cups and a brown paper bag. 

You were relieved when you saw her - talking with her would help keep your anxieties at bay. 

You stood and turned the corner of your desk and hopped on Marjorie’s desk.

“Morning!” You replied cheerfully. 

Marjorie groaned. “Why are you so loud? Why is it so bright in here?” You reached for a coffee and she protested, reaching for it. You held it back, smirking.

“Someone had a bit much I suppose? Woke up full of regret for poor life choices?”

Marjorie took off her sunglasses. “Yes.” She hissed. “You had a lot to drink too; why are you so chipper? Did you get laid or something?”

You paused and it was a long enough of a pause for her to jump all over it. “Oh my fuck, who? Spill. Carisi?”

You barked out a laugh before taking a sip of the piping hot coffee. “No. God knows I love him, but not like that.” You narrowed your eyes and leaned down to whisper, scanning the office.

“Um - what are you doing? We’re the only ones here working today.” Marjorie cocked her brow in response. 

“This place leaks like a sieve, Marj - you know that.” You warned. “Can’t be too careful.” 

Marjorie sighed and put on her sunglasses once more. “Sorry, it’s too bright. Still too drunk.”

You shook your head. “Um. It was Barba.”

“You fucked Barba!” Marjorie shrieked loudly. 

“Would you lower your voice?” You replied sternly. “No. I did not sleep with him. But we did kiss. And he sorta asked me out.”

“Holy crap on a cracker.” Marjorie replied, astounded by the news. She opened the other coffee and pushed the brown paper bag towards you. “Bear claws. So how was it? Is he as silver tongued as he is in the courtroom?”

Your cheeks burned as you replayed the kiss in your mind - how his tongue followed yours, deepening the kiss. It was full of enthusiasm and how he pulled you against him, his body solid and warm. If you tried hard enough, you could still taste the mix of scotch and coffee that was his kiss. “He was very… ” You trailed off slowly, trying to search for the right word. “... passionate. Yes, very passionate. Knows what he’s doing.”

Marjorie tipped her coffee at you. “Well then.”

**

When Rafael did eventually text you, he suggested a restaurant in the NoLiTa section of Manhattan. He insisted on meeting you at your place, as to him, it was the proper thing to do. You declined, insisting that a boomerang trip was uneccessary and that you’d meet him at the location. From the sidewalk on East Houston Street, under a grimy red awning that appeared to belong to a fading pizza parlor, Emilio’s Ballato didn’t look like much.

Rafael waited outside for you, rubbing his gloved hands together and when you crossed the street, he smiled. He had planned the whole night to a tee and it was going to be perfect. Rafael would settle for nothing less. 

You kissed each other on the cheek and then took his hand. On the walls were framed album covers and snapshots of various stars, from stalwarts like David Bowie and Billy Joel to the titans of film, like Frank Sinatra and Martin Scorsese. 

“Mr. Barba!” A voice cried out. You looked and the voice belonged to a hulking minotaur of a man who was sitting like a wary sentry at the first table. He was armed with a cup of espresso that looked like a thimble in the paws of a giant.

“Emilio!” Rafael greeted in return. The two men broke into Italian and you cocked your brow. You had no idea what they were saying and when ‘Emilio’ looked past Rafael and to you, you waved with a small smile.

“Come this way. I have a table in the back - more private.” Emilio replied in a thick Italian accent. “Welcome to my restaurant. We will make sure you’re taken care of.”

A waiter came by to take your coats and winter wear. As you shimmied off your coat, Rafael found his mouth suddenly go dry. You wore a blue velvet wrap dress with long sleeves and v-neckline. Black tights and black knee high boots rounded out the look. 

“You look stunning.” Rafael complimented as he handed his camel peacoat over.

You felt your cheeks burn and you were grateful for the dimmed recessed lighting. Rafael looked equally as handsome in charcoal slacks and a white button down fitted with a navy suit jacket. 

“Thank you counselor, likewise.” You replied. Rafael was ever the gentleman, helping you to your seat first before taking his place across from you. Soft jazz music played, but not so loudly as to be interruptive to conversation. The two of you were just settling in when Rafael’s phone rang loudly. Rafael reached for his phone, looked at the caller and sent the call to voicemail.

Rafael apologized for the interruption and you waved your hand, while shaking your head. “No worries.”

Another waiter came by, with a bottle of red wine, compliments of the house. 

“So what “in” do you have in this place?” You asked as you took a sip of the wine. 

“Emilio - back in the day when I was an A.D.A, had a family member who was assaulted. I was the prosecutor on the case. I put away a violent sociopath and rapist for a very long time. Emilio told me I was always welcome to the restaurant. I - I never really had anyone to bring here.” Rafael replied.

“Until now.” You finished, chewing on a sesame breadstick. 

“Until you.” Rafael clarified, causing your heart to flutter. 

Over dinner, you got to know each other better. You discussed how you ended up on the lawyer track and how you were study buddies with Carisi and Marjorie. 

He shared his fascination with The Waves by Virginia Woolf and The Count of Monte Cristo. Rafael went into passionate detail for the French literary classic by Dumas, recounting "This is the first book I remember my father giving me to read. It was my favorite book growing up. It's an easy read. I was a boy in middle school. I fell in love with the world and the drama of it. What’s your favorite novel?”

Again, Rafael’s phone rang, interrupting. Rafael let out a quiet swear as he reached for his phone. “I swear, I put it on vibrate.”

“Someone’s mighty popular.” You gave him a wink as you reached for your glass of wine.

Rafael blinked and let out a deep exhalation. “So you were going to tell me about your favorite novel.”

Rafael reached for your hand across the table and you were about to grasp it, when the waiter arrived to serve dinner. You jumped back slightly as the food was placed before you. Rafael had pasta with mussels, while you had pasta cacio e pepe. 

Picking up your fork, you nodded. “Love in the Time of Cholera. Florentino Ariza suffers from lovesickness as one would suffer from cholera, enduring both physical and emotional pains as he longs for Fermina Daza.” 

Rafael cocked his brow. “For my taste, there are too many long passages of exposition with Garcia Marquez explaining what the characters are going through. But as easy as the story is to follow, and as seductive as it is, it never gives away what is really going on.”

You scoffed. “So I suppose you don’t believe love conquers all?”

Rafael gave you a coy smile. “In the end we’re all passing through.” You laughed and it was music to his ears. 

More wine was had and conversation flowed easily. Emilio insisted that you both stay for dessert. At some point, your chair shifted and you were sitting right next to Rafael as you split vanilla panna cotta. Rafael’s eyes shifted from your eyes to your lips as you licked the spoon clean. You put the spoon down and could feel the sexual tension rising. As soon as you reached for him, you accidentally knocked over your glass of red wine, and it spilled in the direction of Rafael, all over his white shirt.

“Oh fuck, I am so sorry.” You apologized profusely as you frantically dabbed at his shirt with the cloth napkin. 

“It’s okay; it’s just clothing.” Rafael replied as he too blotted the stain.

“It’s not.” You disagreed. “Here I am, trying to make a good impression, ya know, be all charming and sexy for you - the Rafael Barba - and instead I am a klutz. Ugh, that is going to set if we don’t take care of it.”

“Did you say sexy?” Rafael questioned, a smile dancing on his lips. 

You opened your mouth to reply when Rafael’s phone rang again interrupting your thoughts. Rafael threw the napkin on the table, letting out an irritated sigh. When he saw the name, he held up a finger. “Let me just answer this.”

“Liv, what is-- yes now is not a good time.” Rafael hissed into the phone. “Tomorrow. That’s all I got. Okay. Okay. Talk then.”

Rafael tossed his phone onto the table and threw his head back, rubbing his hands over his face.” When he sat up, he noticed the bemused look on your face. You reached up and began dabbing his shirt once more. 

“It’s really not a big deal.” Rafael replied softly. He grabbed your wrists gently, pausing your movements. His hands were warm and they circled your wrists easily. 

You allowed yourself to relax in his grasp and crinkled your nose. “It really is going to set. We should go and clean it. Otherwise it’s ruined. And this shirt is nice; it’d be a shame for it to get tossed.”

“At this hour? And where?” Rafael replied incredulously as he signaled the waiter for the check.

“We… could go to your place.” You suggested softly. “I am pretty good with stains. Just need some salt, boiling water, and white vinegar.”

Stunned silence followed - it was brief, but it felt like an eternity when he spoke again. “Sure.”

**

It didn’t take long to get to Rafael’s. “I am so sorry again.” You apologized as you stepped off the elevator.

“Accidents happen.” Rafael replied as he led you down the hall to his apartment. If anyone had told you that you would be on a date with Rafael Barba, you would have laughed in their face and asked them for some of the good stuff that they were smoking. But here you, in front of a rather ordinary door marked 6C. Once inside, Rafael turned on the light and you took in the apartment before you. It was freakishly spotless and you wondered if you had entered a living ad for Architectural Digest. The apartment was sleek and modern but carried a warm ambiance. Colorful artwork hung off the walls and there was a built in walled library filled with all sorts of legal texts and what appeared to be vinyls. His apartment smelled like a mixture of leather and tobacco and books plus whatever cologne he had donned. 

“I’ll go get changed.” Rafael replied. “The kitchen is over that way and there is vinegar and salt in the cupboards. You nodded and made way, rummaging through his kitchen. His cupboards were as meticulous as his apartment and you smiled at the things that you found as you searched for the items you needed to clean the stain, like a box of peanut butter cap ‘n’ crunch.

You found the salt and vinegar when Rafael came back with his ruined clothes. He had changed into another undershirt and a pair of dark jeans. You felt the air get sucked out of his chest at the sight of him so casual. A tuft of chest hair poked out of the v-neckline and a gold chain glinted in the light. You took the clothes and spread them out on his kitchen counter and set to work. 

“Want anything to drink?” Rafael asked. 

“Water would be nice.” You managed to squeak out before you tackled the stains. Rafael watched you as you methodically worked out the stains. Your brows were furrowed in concentration and he found you adorable.

Rafael placed a small glass of water by you and then walked over to his music collection before choosing a record to play. The all too familiar instrumental notes of one of your favorite songs began to play. 

“Is that--?” You paused, looking at him curiously.

“Vitamin String Quartet.” Rafael expanded. “Lana del Rey.”

“Never had you pegged as a Lana del Rey fan.” You murmured continuing to work on the stain. 

“Plato said that music is moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.” Rafael stated. “I have a very eclectic taste in music and if you go through my collection, you’ll find everything from Biggie to Celia Cruz to Lana del Rey to Prince - and everything else in between.”

“Impressive.” You replied. 

“And what would you have me pegged as?” Rafael prodded. He had also poured himself a glass of water. 

You stopped and looked up at him. You were overwhelmed by how handsome he is. Eyes that were biscay green and a strong aquiline nose. His hair, now bordering on more silver, than salt and pepper, made your hands twitch, as if your muscles instinctively wanted to run through it. You licked your lips and sucked in your bottom lip. You didn’t miss how his eyes darkened. 

“You’re the infamous Rafael Barba. Boy wonder. Taking on cases that everyone ducks with your big, brass…” Rafael’s eyebrow cocks and you smirk as you finish, “ego.”

“And baby killer.” Rafael interjected. His tone was acidic.

You flinched. “You’re not a baby killer.”

Rafael cocked his head. “Aren’t I?”

“Depends on the jury.” You replied, walking over to him, crossing your arms, which only served to push up your tits more. “But really, I don’t think of you like that. I know there is more to a person than just that one thing.”

“Not according to the court of public opinion.” Rafael managed to croak as his eyes drifted to your chest. “There is a reason I have kept a low profile all this time.”

You closed the gap between you and him and pressed your palms against his chest. He was solid and warm. You could feel his pectoral muscles twitch. A spark shot through your body, settling between your legs.

Rafael’s hands settled on your hips. The velvet of your dress was softer than he imagined and he could picture the dress pooling down at your feet. Part of him wished that the date had gone better. It did not go as well as he had planned.

“I’m sorry for tonight.” Rafael murmured as he wrapped his arms loosely around your hips. “This was not what I had planned for us at all.”

“I’m not.” You replied, looking up at him. You now wrapped your arms around his neck, pressing even closer against him. “I don’t need fancy dinners. I am just happy to spend time with you. I really had a good time. I am sorry about the shirt, but it seems all fine now.”

Rafael searched your eyes. The tension in the room shifted. Your heart began to pound and your breathing became more shallow. 

“I… the stain… it’s lifted.” You whispered shakily. Rafael lowered his eyes to your lips and recalled how good it felt to kiss them. He wanted to do it again. So he did. You didn’t hold back, moaning as his mouth crashed against yours. He pressed his mouth against yours with more force, crushing them. He took the opportunity to trace his tongue against the seam of your lips, seeking entrance to your mouth.  You acquiesced his request by parting your lips, and he deepened the kiss by sliding his tongue into your mouth. You responded in turn by pulling his bottom lip, sucking and nipping. His chest rumbled. Rafael lifted you up, his hands going to your thighs, encouraging you to wrap your feet around his hips. 

Rafael carried you to the couch, walking backwards until he felt the couch and threw himself down, bringing you with him. You let out a squeak but that turned into another moan as his lips found purchase along your neck and he took the opportunity to suck a bruising mark into your skin. 

Your nipples were hard like diamonds and the strip of material that dared call itself underwear was ruined. Rafael’s hands slid down your back to your ass and he gave each cheek a squeeze. 

You rolled your hips, feeling how hard he was beneath you and then slid your hands under his shirt and through his chest hair, confirming how solid he was. You raked your nails down his chest and Rafael let out a groan of a man who had been denied too long. “Oh Rafael.” You breathed into his ear as you pressed kisses upwards along his neck to his cheek and then to his earlobe where you sucked and flicked your tongue against the thin flesh.

“Keep that up and I’ll…” Rafael groaned. His hands move to the front of your dress squeezing. You pulled away reluctantly and looked into his eyes, which were blown with lust.

“So soon old man?” You winked. “We’re just getting started.”

“I am not that old.” Rafael retorted. 

“Even if you were - which you’re not, it wouldn’t stop me.” You replied before ducking down to kiss him once more. You rolled your hips again, grinding harder against him. You took his hands and placed them on your breasts, sighing as he squeezed them. His fingers moved to play with your nipples and when he gave them a firm but gentle pinch, you couldn't help but shudder. You were melting under his touch.

You were just about to tell him to take you to bed so you could ride him into next week, when your phone began to sound. 

“I should get that.” You replied, giving him an apologetic look. 

You climbed off and Rafael let out another groan, his eyes laser focused on your ass as you walked away. “Mierda.”

“It’s SVU. They need me to come down.” You replied as you checked your phone. 

Rafael let out a deep sigh. “Do you want me to come down with you?”

You shook your head. “It’s fine.”

“It’s late Y/N, let me at least walk you over to the precinct. It’s a few blocks away.”

“Okay.” You relented. 

The walk over was quick. You got to the steps of the precinct and looked up at the door and then at him. “Raincheck?”

Rafael nodded. “Raincheck.” He pressed a soft kiss to your lips and then you bounded up the stairs, turning to give him a quick wave. Rafael watched you until you were gone. He dropped his head as he began to trek back home.

‘What a fucking disaster.’ He thought miserably. He looked at his hands before he shoved them in his pockets. ‘I guess it's just us for tonight.’

TBC.

Tag list: @madpanda75  @tropes-and-tales @delia26omg-blog @mgarner1227@beardedmccoy @youreverycolor @neely1177 @witches-unruly-heart @mrsrafaelbarba @skittle479 @ottosuricato @sass-and-suspenders @mommakat32 @dreila03  @beccabarba @garturbo​ @lovebennycolonmiguelgalindo @imjustreallynosy @sweetsummertime99​ @whyissvuruiningmylovelife @annabelleb49​ @scarletsoldierrr​ @cesarofangirl78​ @redlipstickandplaid​ @redlipstickandblacktea​ @zoeykaytesmom​ @differentshadesofgray​ @misssirenlove​ @esparza-army​ @bananas-pajamas​ @mishaissocoolike @thefanficfaerie​ @theenchantedgalleryofstories​ @catnip987 @choppedgalaxynerd @pieceofshittytitty​ @ktiz90​ @evee87​ @itsjustmyfantasyroom​ @detective-giggles​ @rampantmuses​ @jazzyjoi​ @caked-crusader​ @rachelxwayne​ @prurientpuddlejumper​ @lv7867​ @permanentlydizzy​ @bisexual-dreamer02​ @madamsnape921​ @averyhotchner​ @teamsladsandgents​ @qvid-pro-qvo​ @alwaysachorusgirl​

[canyouhearthelight]

The Miys, Ch. 133

Whew. I finally get a chance two queue chapters and add to my buffer! Yayyy me! Kind of long author’s note, feel free to skip to the readmore.

Seriously, though, I managed to only work 5ish hours of OT this week instead of the 25/wk I’ve been clocking the last several weeks. It’s been a ride, for sure. Thank you for bearing with me through this frankly-insane time.

@baelpenrose and I have had more chances to write together in real-time, which considering both our schedules and living 3 timezones apart has been a delightful miracle and I will never take it for granted ever again.

@anotherusrname and @the-raven-fae have been very encouraging of my efforts to work less, which - it turns out - has been a huge concern for oh, my entire family... Sorry I worried you all. :(  I’m trying to do better! Swear I have vacations coming up!

@charlylimph-blog has just been... such a support. She literally texts me every night at 10pm my time to tell me to take my most important medications. Sainted Eldritch Fae cannot be appreciated enough, and somehow I have two.

Final shout outs go to @snickerfritz, @just-a-pastel-bunny, and @eldritchmoths for love-bombing my inbox recently. Seeing anyone speed-run through this story lets me know that I’m not wasting my time.

Don’t forget to check out the podcast!!  AhhhhH! I want to scream in delight each time a new episode is released!

Focus, I told myself, breath coming in short pants. It was easier said than done, with sweat dripping into my eyes while I constantly tried to pay attention to where I was safe to move to without putting myself in the line of fire. Seeing the incoming hit, I ducked and pivoted to my left - 

“Oof,” I grunted as I took a blow to the ribs.  I managed not to be winded or fall, but I was pretty sure something just broke.

A voice taunted me. “You have got to get better at keeping your guard up.”

“I am,” I panted. “My ribs are a lot tougher than my face.” Refusing to be distracted, I jumped back from the next hit and started circling wide.

“And I hit harder than your sister.”

Yeah, well broken ribs are for bitches, I thought to myself. It wasn’t like I hadn’t had a broken rib before. I was fine. Out of reflex more than forethought, I pivoted my leg and bent my knee to absorb the shock of the next hit - this one to the thigh. Grabbing the offending leg, I held tight around the calf with one arm before shoving upwards on the heel with the other, dropping him onto his back.

Unfortunately, the kick to the chin I got as a result also landed me on my back.

Like an exceedingly annoying ninja, Arthur sprang to his feet before holding out a hand to help me up off the floor. “You should have expected that.”

I scowled and rubbed my jaw. “Why am I sparring with you again?”

“Because Tyche’s busy and I’m the only other person willing to actually hit you hard enough to teach you anything.”

Rolling my neck, I tried to relieve some of the tension that was setting in. “It’s not like aliens are going to know Terran hand-to-hand combat,” I pointed out as I took my stance for the next round.  This time, his movement was a lot more fluid, which told me he was going for grappling instead of striking.

The kick I almost took to the face told me that his stance was also a lie.

There wasn’t any time for trash-talking, this time around. I could barely find time to breathe as he aggressively attacked, although I barely managed to avoid him actually touching me.  I wasn’t an idiot - if he got a hold of me, I would be waking up from a forced nap with a sore throat.  However, after what felt like an eternity and was probably only about five minutes, the odds of keeping it up were dwindling.  My heart was pounding in my ears, my lungs were searing with the effort of trying to keep up with it, and there wasn’t a chance in hell that I had enough stamina to outlast him.  The man ran a 5k a day as a warm up.  Even more humiliating, I had spent the entire time running and dodging without even a chance to mount a counter to any of it.

Finally, I was spent.  Every time I tried to raise my hands, they shook so badly that there was no chance of landing a hit, even if I had the opportunity.  My legs were trembling, my knees burned, and the broken rib felt like someone was twisting a hot blade into my side.  Feeling defeated, I dropped my hands and squared my feet up.  The blow to the solar plexus was unsurprising, as was the chokehold he put me in as soon as I doubled over.  Unfortunately, it wasn’t the first time this had happened while sparring with him - or even with Tyche.

I was so frustrated. No matter how much I sparred with either of them, I felt like I hadn’t gained any ground.  The whole point to training so hard was to prove that I actually could defend myself. Councilor or not, the thought that I was going to be shoved in the back of the Archives in the event of an attack was insulting.  Not only that, it was even more insulting than the time I had round-the-clock guards. No one else had to put up with this, why did I?

“Tap out, Sophia,” he warned me.  He wasn’t squeezing yet, but he had his arm locked tightly enough that I couldn’t get my head out.  When I silently refused, he sighed and applied pressure, pissing me off even more.

I’m not helpless, I growled at myself. The anger at myself and the frustration with the situation flooded my mind, and I started pulling against the hold with my legs.

“You’re going to break your neck,” he grunted as he leaned the opposite direction.  I may not have had his stamina, but I could also leg-press nearly five-hundred pounds. He could let go, or lean back, no other options.

Spots were floating in front of my eyes when I felt his posture change, and as soon as I felt it, both my arms swung up.  Assuming I was going to hit his face, he leaned back even further…

Right into the path of my cupped hands, which hit his ears hard enough to bruise both my hands.

“Ow, FUCK!” he shouted, the pain of his ruptured ear drums distracting him just enough that I was able to pull my head free.

As soon as I stood, he reached up to one of his ears, only to pull his hand away and see blood. “Son of a - “ he stopped when he realized what happened. “Huh. That… that is a pretty neat trick.”

Oh, just you wait, I thought to myself.

Sure enough, as soon as he tried to shift his weight for another assault, he stumbled. Trying to compensate, he made it even worse and ended up falling flat on his back.  Dropping his head to the mat in defeat, he splayed his limbs out to try to gain some sense of equilibrium. “Oh that is cool,” he muttered, obviously for my benefit since he couldn’t exactly hear himself.

I managed to get him to his feet and drag him to the corridor as the medical transport arrived - there was no way I was going to try to walk him to a medbay.  Once his eardrums were restored - along with his internal balance - Arthur stood and stared me down. “That was a dirty trick, Sophia.”  Without warning, I was suddenly pulled into a crushing hug. “I am so proud of you.  Do that, a lot of it.”

“Can’t breathe,” I gasped.

He released me, stepping back. “Right. The rib.”

I tried to wave him off. “It’s just a broken rib. I’ll be fine.”

“Medbay.” He gestured around the room. “Stop being stubborn.”

“You’re overreacting - “

“If you trip and fall, which you will, you can puncture a lung.”

“Hasn’t happened yet.”

“It’s been broken all of ten minutes. Medbay. Now.”

I glared at him. “If you think this is the first broken rib I’ve had, you’re insane. It’s not even the fiftieth.”

“Stop reminding me that I can’t go back to Earth and kill someone who is hopefully dead anyway. You made me go to the medbay for some broken teeth after the fight with Jokul. Also, with your luck it’s a miracle you haven’t killed yourself by breathing, and I am not going to be the one who’s next up on Tyche’s shit list. Go. Medbay. Now.”

I opened my mouth to argue again, but was cut off by swearing and Arthur literally just picking me up and dropping me in the closest berth.  With exactly zero shame, he pinned me down by my shoulders and hips while one of Noah’s avatars held me down from the other side and scanned, then healed, my broken rib - both of them, it turns out. Finally, they both let go of me.  “Can I leave now?” I asked petulantly.

“Only if you tell me the eardrum trick so I can figure out how to use it on other species.”

Sliding off the berth and to my feet, I ran a hand through my hair. “Easy. You just cup your hands so there aren’t any cracks between your fingers, like this.” I demonstrated. “And then try to clap your hands through someone’s head, right over the ears. Force of the air ruptures the ear drums, and the trauma reaction kills their spatial sense and balance.” When he tilted his head at the simplicity of it, I shrugged. “Women’s self-defense classes.”

“Ah,” he nodded. “Speaking of women and self-defense, we have got to get you more in the habit of striking and blocking with your legs.  Pretty sure you’d kick like a horse if you tried.”

“If I kick you, I’ll break something.”

“Your legs are a lot tougher than you think - “

“I meant something on you,” I clarified, staring at the ground.

I didn’t look up, but I could hear the savage grin in his voice at what he said next. “Oh, we have got to try this.” When my head snapped up, sure enough, he was smiling. “If you can land a kick on me, I won’t even be mad if you break something. But that’s not what I meant.”

“You want me to test it on someone else?” That wasn’t exactly a better option.

He rolled his eyes. “Maverick literally does calibrations for a living. Pretty sure he’s got something that measures impact force.  Then we do the math from there.”

“I feel like I’m on an episode of MythBusters,” I grumbled as we headed out of the Medbay and back towards my office.

“I know!” he agreed enthusiastically.

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[itsclydebitches]

RWBY Recaps: Volume 8 “Divide”

Hello, everyone, and welcome back! It feels good to be doing some normal RWBY-ing in this strange world of ours. First, some supplementary materials.

Number One: In response to any (valid) questions along the lines of, “Hey Clyde, it’s now been a full year since Volume 7 was airing and you still haven’t answered my ask about it. Or the ones about Volume 6… what’s up with that?” I’ve created what I hope is an informative video detailing the problem:

(I assure you, the Earth, Wind & Fire was a happy accident during the screen recording.)

Needless to say, there’s a lot and I’ve known for some time now that I will LITERALLY never get through all my asks. Which doesn’t mean I don’t want you to send future thoughts in! Just know that as we head into Volume 8 territory I’ll most likely prioritize those, as well as any Volume 7 asks that aren’t woefully out of date. But I do want everyone to know that I read all the asks I receive, appreciate them immensely, and think too much about hypothetical answers, even if I don’t have time to actually write them out 💜

Number Two: There’s a bingo board this year!

Jury’s out on whether I’ll remember to update it, but at the very least this serves as a decent glimpse into my — and others’ — expectations going into this volume.

Number Three: I’ve collected a list of things I’ve heard about Volume 8 from what seem to be reputable sources. I did this because RT is developing a tendency to talk up certain points and then fail to deliver, either because something was taken out of a volume/moved to another, or because RT apparently has radically different ideas about what including something means. So this might be handy to keep on file and ask ourselves two months from now, “Did RT actually deliver on what they promised?”

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

I was also going to include a list of all the threads that need to be continued/wrapped up, but honestly that would have taken too large a chunk off my life. Let’s just throw out the highlights:

Are we really going to have Qrow gunning for Ironwood?

Clover is dead regardless. Press ‘F’ to pay respects

Oscar bb you got shot please acknowledge this

Ozpin bb you got done dirty please acknowledge this

Penny is a Maiden now. I feel like the fandom has been sleeping on this (myself included)

Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake.  

Ren spill your deep dark secret already and it had better be something more than just ‘Oh no Nora might someday die :( ’

Salem is here so how the actual fuck is the cast surviving this?

Will Ironwood likewise survive his descent into antagonism? Yes or please yes no?

I think that’s all the biggies. I strive to keep lists like this in mind while analyzing, but honestly RWBY has a hundred moving parts that are abandoned or changed or simply retconned at the drop of a hat. So an attempt will be made.

Number Four (last one I promise!): Normal disclaimers and reminders for Recaps apply:

Please don’t fill up the already full inbox with flames. It’s still 2020. No one has time for that nonsense.

There will absolutely be typos and wonky parts because I try to get these out the same day an episode premieres. I have now been working on this for ten hours, nearly straight, and have no more energy for edits. Apologies in advance and RIP to my Saturdays.

I reserve the right to use stupid GIFs and memes at my discretion.

I strive to keep my focus on recapping/analyzing but salt tends to worm its way in… If you’re a die-hard RWBY fan with little patience for criticism, let alone (at times) snarky criticism, please proceed with caution.

No wait I lied, this is the last thing:

Okay, got that out of my system LET’S DO THIS!

We start not with the episode itself but rather Rooster Teeth’s (RT’s) strange non-promotion of it. If you follow my blog you may have caught the post where I pointed out that there was nothing on RT’s website to suggest that one of their most popular shows—if not the most popular show—was premiering today. Nothing on the main page. Nothing on the RWBY page either, not unless you count the Volume 8 poster background (easily mistaken for the Volume 7 poster) and the trailer buried all the way down past Episodes, past Merch, in the Bonus Features section along with videos like Live From Remnant and the volume intros. RT… the promotion of your feature show is not a bonus. This should be front and center! Honest to god, five minutes before the episode dropped I was checking the website for a Volume 8 section, a countdown, anything that would tell me the episode was imminent without relying on fans on tumblr to keep me in the loop. We got nada, zilch. I’m not sure whether that speaks more to RT’s iffy management of the series or simply the website’s horrible design—RIP losing RWBY on Youtube—but I was surprised when I saw the episode a few minutes after 11:00am. At that point I honestly expected to hear about a dely.

So that’s the mood I entered the premiere in, but truly? We start off strong. Things take a pretty severe nosedive later on, we’ll get to that, but I was impressed with our beginning and that probably has a lot to do with the fact that we start with our villains.

We open on a Cinderella character, Cinder, and thus I’m immediately pleased that we’re getting something about her backstory after all this time. Seven years! She appeared in episode one, folks! To say we’re overdue is an understatement. There isn’t a whole lot to go on, just a younger Cinder sadly scrubbing the floor, poised under a spotlight. What we learn, or potentially learn, is based far more in cultural knowledge than this scene. We know Cinderella’s story, which includes the abusive family, the longing for more, the eventual escape, and thus we’re able to read all of that in this image, despite the image itself not telling us any of this overtly. That means we could be wrong in our interpretation, but if we’re not it’s an easy shorthand in an already packed story.

What I’m really impressed with is the sound bridge between the scrubbing and her nails on the back of Neo’s chair. Fantastic way to confirm that this is Cinder as well as showcasing just how far she’s come. The sound of her labor has been replaced with the sound of her power and given that Cinder’s power is stolen, tied to a grimm arm, the property of a genocidal maniac… that’s messed up. It’s a Cinderella story gone wrong.

So yeah, Cinder tells Neo to head straight into the creepy, grimm infested blood cloud to see Salem and Neo is like, ‘Uh… no thank you?’ lol.

RT does a good job this episode with her expressions, ensuring we know exactly what she’s thinking despite an unwillingness/inability to speak.

Poor Neo might be in too deep, but I quite like the overall atmosphere of this opening. Say what we will about Salem’s awful characterization, at least she has style. This woman knows how to make an entrance and, piggybacking off of the Apathy, RT knows how to infuse horror elements into their fantasy. The red and purple coloring of the clouds, spiked whale teeth peeking through, bright orange in the background looking like explosions… that’s all 👌 Including the intro card.

The only thing I want to gripe about is this:

I’m sorry, why does the whale grimm have landing pads? Or something like it?? The whale otherwise works because it’s poised between the natural and the fantasy synthetic. It looks like a real grimm whale on the outside, but is sporting a throne room, a control panel, and other unnatural elements on the inside. It’s a visual indicator of Salem’s ability to control and change grimm. Now though, the additions are wrong, infringing on the line between organic and tech, the line between what helps the grimm individually (giving monkeys wings) and what just helps Salem. Every other aspect of the whale straddles that line wonderfully, adding to the creep factor, like a grimm version of the Uncanny Valley: it’s not quite a whale anymore… but landing pads? That looks ridiculous. Why does Salem even have that? How many ships are her people feasibly using? Why are there five?

Take it away, please.

Cinder waltzes in like this is a normal home visit, but Neo has an appropriate ‘What the actual fuck?’ face going on.

They approach Salem on her throne where Cinder immediately kneels, greeting her with, “My queen.” I mentioned during my trailer breakdown that I think Cinder is lying her ass off here, and I still think that based on a line we’ll get in a minute, but now at least we have a sense of how she can pull this off. A woman who started out as a (presumed) servant is going to know how to mimic subservience, even if her heart isn’t in it. Salem is very good at playing the girl who will still kneel and scrub the floor for you. She will scrub the floor, she’ll do everything you want, she’ll just be plotting her own rise to power while she does it.

There’s quite a bit of interesting cinematography in this episode, not all of it good, and I think one of the mistakes is here when we get a closeup on Salem’s mouth as she greets Cinder. A closeup like that should be reserved for more significant dialogue—“Rosebud”—and yet we get this shot again when Cinder tells Emerald to be quiet. It’s awkward and coupled with the numerous eye closeups we got in the trailer, I think RT is playing a little fast and loose with the camera. Each shot should add something to the scene, not distract from it. If you don’t have a reason for including a technique like that then leave it be.

Back to the actual dialogue though. We knew that Salem knew Cinder was alive and now it seems that she just expected her to come back? I’m slightly lost. It feels like we’re missing something here. Cinder goes off to secure the lamp, fails, nearly dies, wanders on her own for months, and then randomly shows back up on Salem’s whale doorstep, yet Salem isn’t angry at all? Did she have faith that Cinder would return when she has something to offer? Did she just not care about Cinder, considering her return an unnecessary but otherwise welcome surprise? That would make the least sense given that she holds the key to accessing Beacon’s relic… but that circles right back around to why Salem is seemingly indifferent to Cinder’s comings and goings. Surely she can’t actually believe that Cinder is loyal?

“So I trust you wouldn’t return to me empty handed,” she says. Yeah, trust means nothing in this show, Salem, didn’t you watch Volumes 6 and 7? Again, I simply don’t know. I suppose I’ll just chalk it up to confidence, that if Cinder did bail Salem knew she could track her down again. Deciphering her motivations and beliefs is a lost cause when the show continually gives us so little.

The important thing now is that Cinder does indeed have an offering and you can see that Salem is somewhat surprised at being handed the relic.

Cinder, of course, takes credit for the victory and we’re given another wonderful shot of Neo. ‘YOU took it?’

Oh, Neo. Best get out while you still can.

Tyrian appears having obviously made his way to Salem’s ship sometime between her arrival and now. The exchange is pretty standard for this group. He insults Cinder for failing and needing this victory to make amends, talks about how any win against Ironwood says more about his lack of intelligence than her skill, and Cinder… doesn’t have a whole lot of comebacks, actually. I’d say Tyrian won that verbal spar, enhanced by a better use of the camera when we get his tail looming menacingly towards Cinder and Neo.

He goes on to say that Watts was a “necessary sacrifice” so, uh… I’m just going to toss out the ask I answered yesterday. Based on our intro I’d say Watts is still significant to the volume—hacking Penny is my guess—but by the end? He could be in trouble.

(As a side note: I plan to analyze the intro next week. It’s just easier when it comes first.)

Tyrian also calls Neo “little one” which I just found absolutely hilarious. In an on brand creepy manner, that is. Not that Neo couldn’t kick his ass, but there’s something wonderfully chilling about having the serial killer use an endearment towards a potential victim, one that comments on her size while he’s looming.

In contrast, Cinder refers to Neo as a “valuable asset” and we get our third mood of the episode.

Who’s going to start a Neo reaction image collection?

It’s true enough on the surface—who wouldn’t want an ally who can turn into anyone else?—but we’re still bumping up against question of why Salem needs this. She’s immortal! She has an endless army! Magic! This scene works well with a villain who needs a skillset like Neo’s to succeed, but Salem doesn’t. RT is doing a great job writing a story thus far, just not the story we’ve previously been given. This isn’t the story they set up.

This will come back up when we reach the RWBYJNOR group. Just wait.

Before that though, the gang’s all here as Emerald, Mercury, and Hazel show up, all in new outfits.

I think I like everything except for the weird Xs on Emerald’s jacket—it’s way too distracting and frankly makes an otherwise good look ugly—and the fact that she’s showing her midriff in Atlas. Hazel doesn’t have any sleeves! Oh my god, why doesn’t anyone dress for the weather in this show?

Frankly, I found their reunion to be kind of lackluster. I mean, there was nothing wrong with it. Emerald does sound briefly excited, she does run, and it’s in character for Cinder to cut her off… it just didn’t resonate with me emotionally. I thought after two volumes of thinking she’s dead, then working through the knowledge that she’s alive, that I would feel Emerald’s shock and relief more, but I didn’t. And I’m not entirely sure why. I don’t want to level any accusations at the voice acting because frankly I know next to nothing about that skill (and from what I’ve seen it’s usually praised in the fandom), but I will say that throughout the premiere I was noticing it more than I ever have before. The lack of emotion here and some awkward deliveries later, like when Yang goes, “Ruby, there is no way Ironwood will cooperate with us” and I immediately thought, “Wow, that came out stilted.” These observations stick with me because, as said, voice acting usually isn’t on my radar. It’s not something I’ve studied or had practice analyzing. If you’d never told me that Ren or Qrow’s VA changed then after a year hiatus I literally wouldn’t notice… but there’s something about this episode that didn’t sit right. Anyone else get that sense, or was it just me?

Regardless, the arrival of our other three villains really doesn’t amount to much, though I’m happy for all the Emerald and Mercury fans who get to see them in new outfits. The focus is still on Cinder as she delivers a line indicative of her true motivations: “That power will be mine.” Yeah, she’s not loyal to Salem, she’s just power hungry. Of course, Salem immediately takes note of this and raises her hand, in another nice use of the foreground, reminding her that she hasn’t given that order.

Cinder is shocked, angry even, but quickly covers it up with her “Without you I am nothing” line. If I caught it right I think she also calls Salem “Ma’am”? Hilarious. Again, skilled at playing the servant.

Also, before I forget, it’s worth noting that almost everything from our trailer appeared in this episode. Yeah, there are a few details like Nora attacking some tech and the group on their bikes, but on the whole we’ve already seen the majority of our promo material and will likely get most of the rest next week. It makes me both interested and nervous for what another twelve episodes are going to hold.

Salem opens her whale, or opens a portal type view in it, something that gives us a long-distance look at Atlas. I don’t know what exactly is going on here, but it’s pretty so I’ll take it.

She also delivers the frankly badass line, “Just because you’re more valuable to me than a pawn does not make you a player.”

She waves them all away with perfect ‘You mean nothing to me’ attitude and we sadly leave our villains.

Sad not because I don’t love my farm boy, but because things are about to get a whole lot messier.

Oscar has made his way to a camp of civilian survivors… all of whom are just hanging out in the supposedly deadly cold. Yeah, there’s a single fire, but at least four of them aren’t anywhere near it. Three of them also aren’t wearing gloves. What was that survival rate again?

A nice if gruff dude gives Oscar soup—water?—while showing off his… badger claws? I don’t know what kind of faunus he’s supposed to be, but he feels like the sort of two second, minor character who could easily become a meme lol.

Oscar thanks him (my polite son!) and hands the bowl back after a single sip. Which is impressive because I would have assumed the guy was giving me the whole bowl and just taken it. Hell, I’ve done that even when I didn’t assume it’s all for me. A Starbucks barista once approached me with a tray and a plate of samples, I knew I was supposed to take just one, yet for some reason my hand went to take the whole goddamn plate. He had to tell me off, then I was trying to explain that I didn’t actually want or think I should have eight shots of cappuccino all to myself, I don’t even like coffee, he clearly didn’t believe me… it was awkward. So good job, Oscar. You’re less awkward than me (though that’s not saying much).

Now a question, Oscar. Darling. Brilliant boy who has been through too much: why the fuck aren’t you talking to Ozpin? This will be A Thing later when he presents a lack of time to talk as justification for keeping more secrets (we’ll get to that too…) yet here is time! You’re just sitting there for who knows how long, with plenty of privacy to hide a supposedly one-sided conversation so the Mantle citizens don’t get weirded out or suspicious. Talk to Ozpin. Our headmaster gets two lines in this episode, utterly inconsequential lines like his airship scene, lines that feel like they exist to say, “See? He’s still included in the story!” even though he absolutely is not. Two volumes of mostly silence, a perfect setup to start the reconciliation process, but we’re going to put it off again?

Instead Ruby randomly and conveniently appears. I want to know how she found him. Oscar isn’t wearing a tracker. He clearly didn’t call them because he’s surprised when Ruby shows up. He fell alllllllll the way back down to Mantle and then wandered to a random part of the slums. You’re telling me they flew over the entire city—after beginning this search thinking he was in Atlas—and somehow managed to spot him from up in the air? C’mon. I would have rather had a beginning where Oscar makes his way back to the group himself, giving him and Ozpin time to hash things out.

“Need a lift?” Ruby says, eliminating that potential. Sigh.

Oscar immediately starts beating himself up when he gets onboard, saying that he “was stupid to think the General would listen.” Nah, you were stupid to buy into Ruby’s nonsensical confidence and for telling Ironwood he’s as bad as Salem. Sorry, Oscar, but everyone is written badly these days. I will, however, say that I am THRILLED at the group’s reaction to his return. Ruby says that she’s “just glad you’re alright.” Nora has a wonderfully tender moment where she hugs him gently rather than her usual glomp.

That? That added a year to my life. Everyone else seems relieved that he’s okay too, so kudos there. After four years of Oscar being an outsider in the group, this is one of the few moments that feel like he’s 100% accepted. Really glad to see it.

Now let’s see if it sticks after they learn Ozpin is back...

They fly to the Happy Huntresses’ base and I again feel like I’ve missed something crucial. When did they team up? I mean, RWBYJNOR was working directly under Ironwood up until the last hour and Robyn ran off to fight Tyrian/Clover in the last couple episodes. When did she have time to explain her (briefly) changed allegiance and why would the Happy Huntresses trust the group without that? Did Robyn share that Blake and Yang went behind Ironwood’s back for her? Do the Huntresses instinctively trust them because they’re now wanted by the military? How did they even run into each other?

Again, I think we would have been better served to have an episode before all this. Let Oscar make his way back and let the group struggle with the magnitude of their situation on the airship, before they find new allies. Transferring directly to, “They have help and a secret base and a plan in the works!” makes me feel like I missed the real premiere last week. You know, the one where Salem unexpectedly arrived and we left the group like this.

This is where we’ve ended up though. The group is cozy in this hideout, getting info from Joanna, and my only other thought is, “Why is she giving all this exposition?”  

Shouldn’t it be May? I mean, we were told that she was going to play more of a role this volume, a promise that’s pretty important imo given her status as a (so far off screen) trans character, so why not put her in the role of mediator between the Happy Huntresses and RWBYJNR? Giving her that setup as a leader among her people as well as lots of lines would be meaningful. A trans character just existing and being a part of this fight! May could obviously still fill that role—I’m well aware that we’re only one episode in—but it just seems like a missed opportunity to me. Out of all the undeveloped Happy Huntresses, our premiere focuses on the one who has the least importance to the fandom.

As said, Joanna talks a fair bit but what it basically boils down to is trying to get everyone to the crater below Atlas. It’s apparently not safe, but it’s warm, which is what matters right now.

So… let me get this straight. You want to gather everyone into a not safe crater, by leading them through an army of grimm, so that they can wait there in case someone moves the Staff, thus dropping an entire city on top of their heads? That’s the plan? Which admittedly isn’t Joanna’s fault. This is another instance of RWBYJNOR having information that a leader does not and they should really consider speaking up about it. But of course they don’t.

Also, how long does everyone have in regards to the cold? Shouldn’t there be dead civilians by now? The time it would take to find the Happy Huntresses, team up with them, get settled in the base, and find Oscar says that things should be pretty grim right now (pardon the pun), yet every non-aura user in this city seems content to just hang out in the snow. Either the cold is deadly enough to justify moving everyone to the crater, or it’s mild enough to let everyone survive this long, not both.

After hugs are given everyone obviously wants to know what happened to Oscar. His response?

“It’s a… long story. I get the feeling there’s been a few of those tonight.”

That’s a check for the bingo card! We’re halfway through the first episode and we’ve already got another secret. Yes, this is a secret. Oscar actively chooses not to tell anyone that Ozpin is back—something Ozpin himself comments on—and then skillfully draws attention away from himself with “I get the feeling there’s been a few of those tonight.” Indeed, all eyes go to Penny. Oscar’s plight is forgotten, which is what he wanted. His justification?

Ozpin: “You’re not going to tell them?”

Oscar: “You and I aren’t done talking yet.”

Along with this look.

Oscar no. There’s so much wrong with this I don’t even know where to begin. Let’s create a list.

As said, you had plenty of time to talk to Ozpin and chose not to. Miss me with this excuse.

You are now doing to your friends exactly what you and your friends did to Ironwood, which in turn is what Ozpin did to you! I can’t believe we’ve got Oscar critically side-eyeing him when they are still—still—repeating the behavior they drove Ozpin away for.

What is there to even talk about now? Oscar didn’t punch himself/Ozpin (lol) but he did steal Jinn’s name from Ozpin in the first place. You got what you wanted, drove him away, and have been lying and keeping secrets ever since. The only thing they should be talking about involves apologizing. Any further criticism—which is what Oscar’s expression and curt reply suggests—is beyond hypocritical.

Seriously, what needs to be discussed? There’s no reason not to tell the group unless Oscar wants to talk about whether they should tell them. There’s no good ending here...

Don’t you think it would be nice to know that Ozpin is back and you’ve got super magic powers while making plans to save the entire world?

This is all especially stupid given Oscar’s “Salem wants to divide us” reminder to Ruby in a moment. Oscar, you are doing the most to divide the group right now. By not forgiving Ozpin. By refusing to work with him. By keeping him secret from everyone else.

This is bad, friends, I worry for what the rest of the volume will bring…

The story is done with Ozpin for now so I guess I will be too. The group continues filling Oscar in and we get some shots of the base, including a rather prominent poster of what I assume are two Happy Huntresses. Did they die in battle perhaps?

It’s a little strange.

Oscar: “Where’s Qrow?”

Me: “Likely still making bad decisions.”

No one knows so they just drop it. Which I kind of get, only so much you can do to find him if he’s not out on the streets like Oscar, but it still reads as kind of iffy that two nieces look down at the ground for a hot second and then move on with their plans, content to leave Qrow to whatever fate befell him. In a minute we’ll see Yang firmly take Ren’s side regarding helping the people they can in Mantle, which frankly comes out of nowhere for her. I think an easy motivation would have been Qrow. Ruby wants to save the world, Yang wants to find and save their uncle, and that just happens to align with Ren’s desire to save the civilians who need immediate grimm and cold help. Don’t get me wrong, I like that there’s finally some division between the sisters, I just wish it hadn’t come about so abruptly. Ren had setup for standing up to Ruby. Yang did not.

But I’m getting a little ahead of myself. Joanna lists the grimm horde and no heat as the major threats to everyone. The group agrees.

Me: What about Salem?

Joanna says that this is all doubly dangerous because there’s “no more military protection.”

Me: Oh, so now you want the military?

This is all so disjointed. Even more-so when Joanna mentions that Ironwood has stopped all evacuations to Atlas, likely due to the “hard light shields” that are the only thing standing between Salem and the city. Thing is, the show never makes this connection, I just did it myself based on this scene and the one that comes later. The show presents Joanna’s line as a pure condemnation. Ironwood won’t let more evacuees in because… he’s just evil, I guess. Yet there is a justification here, namely that continuing the evacuations even while he’s stuck without Penny leaves him wide open to a Salem attack, the death of everyone currently safe, but that argument is never presented to the viewer. I don’t need people to agree with Ironwood’s perspective, I just wish that perspective was offered as an option. The show is very good about acting like RWBYJNOR’s opinion is the only justified opinion, or simply the only opinion at all.

After everything is laid out Weiss goes, “We’re never going to sleep again, I just know it.”

I could make a crack about the lack of continuity and how the group should be collapsing right now… but that was a funny line. It can stay.

What is far more of a problem is the fact that no one is talking about Salem. Okay, that’s a lie. They do talk about her, but in a roundabout way like her presence isn’t impacting every decision they make. That’s the real issue. They’re acting as if Salem isn’t here right now, like she’s off far away, maybe approaching slowly, and they’re arguing over how best to prep the world for her eventual attack. There’s no emotion here—let alone action—to reflect that the series’ Big Bad has arrived and is poised to murder them all. Literally what is this? Ruby is yelling about warning the world and, ignoring the continued question of why that’s a good thing when the world can do nothing to stop Salem and knowledge of her continually drives people to horrible acts, she has yet to acknowledge that… she’s the world? Ruby is the world in this conflict. She, Mantle, and Atlas. Salem is here for you all. Right now. You are, this instant, in the situation you want to warn others about, so why don’t you try to do something about it? Or at least acknowledge it. Ruby wants to warn the neighborhood about a potential fire while her house is actively ablaze, and the fire could have totally killed her by now but decided not to for… reasons.

“Ruby’s right,” Nora says. They have to tell the world so “they can prepare.” How? How are they supposed to prepare for this? The story cannot continue ignoring Salem’s immortality.

“Ruby’s right,” is all Blake says and I’m starting to thinks that’s why her character exists now, to agree with Ruby. It’s great that she’s getting a little distance from Yang, but man.

As Ruby asks whether Pietro can get Amity up and running despite it not being finished (called it) we start an incredibly odd sequence of flashforwards to their individual missions. I’ve seen a lot of praise for this already and though I agree that, in theory, it’s a good way to save time, I found the actual execution to be jarring. Upon thinking back through our timeline, it became clear they were flashforwards, but while watching I thought they might be flashbacks (especially since that’s more common).

Some of the shots, like Nora’s, just look awkward when you’ve got the exact expression and pose transplanted from one scene to another, like she’s a cardboard cutout behind a green screen. To say nothing of how the flashforwards ruin any suspense (I use that word loosely) in the conversation itself. If the question is, “Will they decide to go to the military compound?” then that question is answered when we see Ruby scoping out the compound, not when the group actually decides on the course of action.

It just made an already muddled scene worse for me, so I hope this trend doesn’t continue.

And of course, Amity can be used despite all the info last volume claiming that it wasn’t finished. Pietro suddenly acts like it is finished and the only thing standing in their way is Ironwood providing access. If that were the case, he would have used Amity weeks or days ago like he wanted to! When was it finished? Not after Watts commented on how incomplete it was. When did they get back the resources they needed from Robyn? It’s as ridiculous and retcon-y as I thought it would be.

Yang points out that Ironwood will never listen to them and Ruby counters that “he doesn’t have to.” They’ll just take the access from him. Because why wouldn’t they in a series where they’ve already stolen two airships? Stealing from the super evil military that Joanna wishes were helping them right now is just the group’s go-to plan nowadays.

Pietro isn’t sold on this plan though. He lists at least three obstacles they’d need to get through “and then… oh boy, I might need to think about this some more.” “And just to clarify,” Oscar says, “This is the easy option?” Um...no it’s not? We also know there’s an access point in Ironwood’s office so… why not go there instead? They really think the Academy is less guarded than the military base? There’s a potential justification here along the lines of, “After Neo and Cinder broke into his office Ironwood will have the place on high alert,” but unless I missed it the group doesn’t assume anything like that. They just listen to Pietro point out all the ways they can’t get into the military base and jump straight to that being the best option. It feels like a transparent way to create conflict for the group. We’ll just have them taking the most dangerous route despite an easy route being offered alongside it. Why bother mentioning his office at all? Just have the access in the military base. Boom, done.

It’s that conflict and the fact that Ruby tends to hear “You can’t” and digs in her heels. You can’t go to Atlas. I’ll just steal a ship then. You can’t defeat Salem. Watch me. You can’t break into this base. Guess what I’m doing! She’s dangerous in her fairy tale, meta-driven insistence that everything will turn out her way because she wants it to.

Speaking of, we finally—FINALLY—get someone challenging Ruby. Sort of. Not actually but it’s the closest we’ve ever gotten:

Yang: “Ruby, when we came here we said we’d follow your lead… but things haven’t exactly worked out.”

Now, there are two things to take away from this moment. The first is how utterly shocked Ruby and the others are. I mean, take a look at these expressions.

Ruby straight up can’t believe what she’s hearing. Weiss put her hand to her mouth like this is the most dramatic thing to ever happen to her. Oscar looks down in a ‘Yeah, I agree but please don’t look at me and make me admit that’ way. And Nora looks indifferent in the screenshot but animated she goes sort of stern, likely pissed that Yang would dare say that given her own agreement with Ruby. This not only reiterates that Yang’s challenge came out of nowhere—seriously, how did we move from following Ruby no matter what to this? Last volume she asked a single question along the lines of, ‘You sure?’ and when Ruby said ‘Yes’ Yang was entirely on board—but also demonstrates that no one has EVER said no to her before. Ruby is amazed that someone would challenge her. The act of challenging Ruby is, in and of itself, shocking. This group has gotten so used to following Ruby blindly that the teensiest little pushback is greeted with this.

Because it is teensy. This is the second takeaway: Yang barely challenges her and that challenge leads nowhere. She doesn’t accuse Ruby of anything, she doesn’t question her continued authority, she just broadly implies that things could be better. We followed you, now things are bad, take from that what you will. It’s incredibly mild as far as criticism goes, making the shock all the more, well, shocking, but it also amounts to—wait for it—nothing! Because Yang didn’t truly challenge Ruby’s leadership. She’s still in charge, she’s still calling the shots, and they’re still listening to her. We might have gotten some change if this division had been allowed to play out, but instead Jaune comes in with a, “Let’s go for both!” solution. It let’s both groups get what they want which, in turn, releases them from the need to grapple with whether they’ll listen to Ruby when she’s advocating for something they don’t agree with. We have now lost the chance to see whether, when push comes to shove, Ren and Yang will cave to Ruby’s will or stick by their own beliefs.

Don’t get me wrong, it’s more conflict than we’ve gotten in years, but that doesn’t mean it’s particularly compelling conflict. It’s good by RWBY’s standards, which doesn’t necessarily make it good. The actual issues at hand—Ruby’s dangerous arrogance, the group’s loyalty, her choices up until now—are just swept under the rug. For all the visuals we get insisting that there’s this great divide in the group… there’s really not. Not in any way that matters.

Also, Ruby is an idiot. Okay, that was mean, but she really is in this scene. She’s actually not an idiot overall because she was written as wonderfully intelligent in the early volumes, but now? Lately? She makes me want to bang my head against a wall.

“But that’s how Salem got this far,” she cries. “By dividing us!”

Ruby… oh my god, Ruby. No one should have to explain to you that dividing people means turning them against each other, not literally dividing your team to complete separate tasks. This girl honestly thought that because there was this teensy disagreement and that half the team would complete Plan A while she and the other half completed Plan B, both of which notably work towards the goal of, “Protect people from Salem,” that this was somehow what Salem wanted. That is was dangerous. Honestly, it’s a scary look at her view of leadership too: If everyone doesn’t 100% agree with me and do what I say, that’s an objectively bad thing that the grimm queen wants, right? Does Ruby think that unification means following a single person (her) without question or variation? That would explain a lot...

The fact that Oscar needs to explain the difference to her is not good. It really doesn’t say great things about this version of Ruby. Though he was comparing Ironwood to Salem last volume, so really they should all be wearing dunce hats.

Penny offers to take the relic directly to Salem in exchange for her leaving the kingdom alone. I honestly didn’t expect that. If anyone took that risk I would have put my money on Ozpin (but of course, during all this talk of the women he knows best, he’s kept quiet). Oscar is again the voice of wisdom, pointing out that they have no reassurance that Salem will keep her word. At least Penny is thinking about Salem as a threat though, so kudos for that. When this plan is shot down she volunteers to get Ruby past the military security instead and, uh, she’s a little intense about it.

I’m not entirely sure what is going on with Penny. She disagreed with Winter but then seemed to come around to her point of view, enough to help anyway. They had another (stupid) disagreement about the value of individual lives, so that helps to explain why she’s teaming up with RWBYJNOR (if you ignore that Ironwood is also trying to save individual lives...). Did watching Fria die shake her up? Is it being the Winter Maiden that’s not sitting right? Does Penny have lingering feelings about the framing that haven’t shown up until now? Her status as a ‘real girl’? We’ve got a lot of reasons that could definitely explain this sudden need to fight, but we’re not told which—if any of these—is the driving force.  

We’re then given a lot of little details. Someone points out that if Salem gets the staff and “create[s] anything else” then Atlas will fall (so yeah, let’s move the people underneath it). We still don’t know what exactly the Staff does because “creation” is kind of broad and “powering a city to float” doesn’t seem to sit within that category at all. Pietro gives Yang the keys to his lab so they can get the bikes. We see the group dividing in the flashforwards, something I do like, especially since the show has gone out of its way to break up most of the usual duos. Nora in particular is pissed at Ren for his choice.

“Oh, I’m saving Mantle because I actually believe we can do this.”

#yikes. Well, I did say I wanted a conflict other than ‘Oh no, one of us might die’ and it looks like I got it. But Nora, the only reason you can do this is because the plot is in your corner: none of you are collapsing from two major fights, you didn’t lose your aura so the cold isn’t a danger, the military is barely a threat all of a sudden, Salem is helpfully hanging out in her whale instead of killing you, and the story decided that Amity can function so long as you all are the ones who get to use it. That’s why you can do this. Ren, who follows in-world logic and doesn’t want to risk a whole kingdom’s worth of lives on a pipe dream, thinks differently, oddly enough.

As they leave though Penny gets a call from Ironwood. I know precisely what the fandom is going to say here: “This evil man is just trying to use Penny to open the vault!” Of course he is. He needs it open to save everyone he can, Penny included. Plus the concept of “using” her is a double-edged sword. What do we think the group is doing right now? Using her to get past the security. Penny’s power is a tool any way you slice it. Granted, Penny volunteers to help the group, but notably here Ruby speaks for her. Penny seems torn and Ruby takes the scroll away with, “She’s not going anywhere until you change your mind about Mantle.”

Sorry, Ruby, but coming from you that sounds less like a reassurance for Penny and more like just an order for Ironwood. Remember Harriet? We’ll stop attacking you provided you do what we want. Ruby has yet to learn about compromises, let alone acknowledge that she might be wrong. How about you let Penny decide where she goes, especially since by all logic she should have a lot of loyalty to Ironwood. She knew him before she ever met you. She’s worked with him since she was rebuild post-Volume 3. Despite what Penny has said, if the story would just let her think about his actions for a hot second—making her the protector of Mantle, sticking up for her after the framing, sending her to the party, teaming her up with Ruby, etc.—she might realize that the ‘He doesn’t want me to have friends’ and ‘He just treats me like a tool’ assumptions are just that, unfounded assumptions. But no, Ruby speaks for them both because Ironwood is evil now.

“If she makes it through our defenses,” Ironwood says, “everything that follows will be on your hands.”

That’s true! Kind of like how it’s own Qrow’s hands that Clover died. When you insist on making a bad situation worse you hold responsibility when the shit hits the fan. You know though that Salem won’t get through their defenses now, somehow, so that there’s no chance RWBYJNOR will be blamed for it. Or, by that point Ironwood will be so crazed that anything coming out of his mouth is dismissed, no matter how accurate it might be.

We then transfer to the Ace Ops who are, despite what the fandom theorized for many months, clearly upset about Clover. Also pissed. Which they have every right to be. Their friend and leader was killed. Imagine for a moment that Ruby had been murdered by Tyrian with an allies’ help. Exactly what do you think the group would do? Swallow it quietly and get over it? Ha.

I’ve already seen some speculation that Clover survived due to details like showing us the bandage and his room being listed as for a “Patient,” but he looks pretty dead to me.

He got gutted through the chest and left out in the snow for who knows how long. We saw him slip away. Qrow screamed over his dead body. He’s not breathing now. If RWBY suddenly claims he survived this, I’m calling BS.

Most of the other visuals we get here were already dropped in the trailer. Winter is pretty injured from her encounter with Cinder, likely permanently based on her new outfit. Ironwood had to replace his arm—and I am calling BS on that “Losing his arm is reflective of him losing his humanity” commentary from RT. Please go read up on a couple decades worth of ableism in media and then get back to me.

We get Ironwood’s line about the light shields and, notably, a whole lot of empathy. Regardless of what he might want Penny for, he still called her with compassion. He’s watching the Ace Ops mourn their friend. He’s talking about protecting his kingdom. The first thing he says to Winter is, “Thank you, Winter. I don’t know what I would do without you.” Ironwood has a heart! It’s always on display, which makes this scene utterly ridiculous.

I literally don’t know how to respond to this. The gunshot made me jump, both because it’s a gunshot and because, again, what the fuck? I know I said that next volume RT might just have Ironwood descend into full villainy, shooting whoever he pleases now that he’s shot Oscar, but I didn’t actually expect them to do it. Because he never should have shot Oscar in the first place! I wanted the story to let Oscar grapple with it a bit and then quietly backtrack, acknowledging it as the mistake it was. The concept that Ironwood, empathetic Ironwood, rational Ironwood, always thinks before he acts Ironwood, let’s kids yell at him Ironwood, tried to team up with Robyn Ironwood, did everything Ruby wanted Ironwood, won’t kill Watts after he destroyed his arm Ironwood would shoot this guy just to shut him up is absurd. It was absurd then, it’s absurd now.

That being said, there’s a possibility he didn’t actually shoot the council member, but rather just (“just”) gave a warning shot down the hallway. I say this because the reactions to this are pretty tame. Everyone looks startled, yeah, but after the initial shot there’s nothing that I would expect if there was now a guy bleeding out on the floor. The council woman doesn’t scream. Winter doesn’t seem overly shocked. No one is running to try and help him. Basically, if Ironwood had just killed a political figure in front of six witnesses, entirely unprovoked, I would expect a bit more of a reaction than this. This feels far more like a, “Damn he’s not joking around, letting off warning shots to get people to leave him alone” not “WOW, our general just killed someone in cold blood!”

What I really hate though—beyond just assassinating his character—is how many fans think my friends and I are delusional for calling it character assassination at all. I hopped onto the RWBY tag for five minutes this morning and was bombarded with posts about how Ironwood needs to be murdered horrifically, anyone who likes him is sick, the Ironwood stans are as bad as Adam stans, you’re an idiot if you want him redeemed… because apparently the concept of a story writing a character badly doesn’t compute. I’m not here to argue that Ironwood didn’t do these awful things (regardless of whether he actually killed the guy or not). I’m not here to argue that they’re not awful. I’m just here to say that we never should have gotten these scenes in the first place, or if we were going to get them, we deserved an actual descent into murder at the drop of a hat territory. I’ve already explained extensively on this blog how early Ironwood was not accurate foreshadowing for this, and Volume 7 certainly wasn’t setup, but it looks like the majority of fans aren’t interested in examining whether any of this adds up. Which makes my job, as someone trying to examine this series somewhat objectively—in as much as that’s possible for any single viewer—as well as simply enjoy it as a show, really hard. It’s bad enough when a story keeps taking the characters you love and villainizing them, and doing that badly, but then when you turn to the community and see them rallying around the idea that you’re awful for being dissatisfied—you’re the bootlicker, you’re the blind stan, you can’t see what’s ‘really’ going on here… that sucks. For those of you happy and satisfied with Ironwood’s arc, that’s great! I’ve also seen a lot of posts hyping up the complexity of his character now. There’s nothing wrong with enjoying what we’ve been given and I’d never want to imply that just because it’s not what I wanted it’s somehow wrong. I’m honestly thrilled that after a year of worry so many people have adored our premiere, including this scene. I just wish that I could say RWBY had given me something I didn’t want in a persuasive manner and that the fandom as a whole was a bit more welcoming of differing criticisms.

Not that I didn’t already know the RWBY fandom had its flaws, but still lol.

That’s basically it for our premiere. Nice note to end on, huh? Our final scene is of Salem using the lamp to set her bloodhound grimm on the city. Why doesn’t she just go herself? What was she planning to do here in Atlas in the first place, considering that getting the relic was a surprise? Who knows. Little about this holds together. But we do end with another awesome shot, so small favors.

It’s always strange concluding a recap, but even more-so when it’s a premiere, during a historical moment in the U.S., amidst all the nonsense that is 2020. So for now I’ll just conclude with three quick things:

The updated bingo board will be listed at the end of each recap, provided I don’t forget about it lol. Today I’m checking off tone (not nearly enough freaking out about Salem), the team keeping secrets (Oscar), and major plot point dropped (Amity is suddenly finished). I could also probably check off the cold not killing civilians and getting Amity up and running, but we’ll see if any changes with those.

I’m including my Ko-Fi link at the end of recaps now. Not with any expectations. Not with anything resembling pressure. I thought long and hard over whether to include it at all—let alone mention it here—because I love doing these and never want anyone to feel like it comes with strings attached. But life is a little harder and weirder than it was last year, so I figure it can’t hurt. Feel free to pass on by and I won’t be bringing it up past this note.

Far more importantly: thank you for reading! :D

(Bonus 4. Editing this was an absolute nightmare — damn you, tumblr!  — so I apologize if anything is super wonky when I finally post.)

See you next week! 💜

[Ko-Fi]

[elizabethsharmon]

Now that s5 has ended what do you think about it? I remember seeing you be quite vocal about the season and then you just stopped and I was just wondering what your general opinion is. Did the fandom scare you away? :(

hey there! I kind of stopped being so loud about the show here cause at some point I just gave up about s5 and don’t worry, it would take a lot for fandom to scare me away and i’ll be back with my usual bullshit in 2 weeks with s6 clip by clip reactions ✌️ anyway, i was going through my archive while writing this to remind myself of what happened in each clip and what were mine and fandom’s reactions to it and somehow when I started writing this, it turned out I can’t stop and it got quite long so I'mputting it under read more:

So first of all may I just say that the trailer/firstclip was one of my favourite clips of all times. It was just SO GOOD and to meit was like a dream come true cause I was talking about dropping a clip andstarting a season on New Year since July AND THEY DID IT AND IT WAS E P I C,such a power move, I love it. Honestly everything worked there, the music wasamazing, it was so wonderful to see both squads partying together, it wasperfect, 11/10.

Then the season started and I absolutely loved thefirst two episodes, we really started to get into Arthur's head, to get to knowhim and his family, find out how insecure he is and how well he's hidingeverything from others, and Arthur and Alexia clips!!!! They worked so welltogether and were so cute and supportive, I said it back then that if they ruinthem I will never forgive them for that because what was the point of makingthem a couple in the first place?? I still don't understand that, I don't thinkI ever will... Fast forward to the first Wednesday of the season aka underwatermale gaze aka the moment I knew we're in for a ride and it won't be a goodone... When the clip started I was over the moon, I'm a swimming hoe myself andI loved that they used the pool for actual swimming, the cinematography wasbeautiful and I loved that they found a way to incorporate Lisa into the story.That was until Arthur dived and saw Noee... and sadly, this was the firstmoment I emotionally yeeted out from the season. Don't even get me started howwrong it was - 1. using the pool which is a sacred place in the show’smythology; 2. using piano music; 3. peak male gaze, objectifying Noee, andArthur staring at her even though HE HAD A GIRLFRIEND; they were setting it upas a love triangle from the beginning and after those 10+ weeks I still havethe same question about it as I had back then: why. It was also the first timefandom started to be hostile and the shipping war began, some people werecoming to my and my friends' inboxes, sending us anons to stop thinking theworse about Arthur, that love triangle will definitely not happen and thatDavid explained on his insta that they used the setting of pool in another waythan it was used in og s3... Well, jokes on you cause we were right. Anyway thatWednesday clip was to me the first red flag of the season, the first momentwhen some people started attacking others, when the fandom police started formingand suddenly you couldn't say anything because someone would jump on you andsend hate.

But I decided to let it slide, hoping that they reallywouldn't go there (spoiler alert: they did) and then we got Friday clips withelu housewarming (i'm still emo!!!) and Arthur losing his hearing permanently.It was absolutely heartbreaking to find out he lost hearing in his left ear 2years ago, it was a real game changer back then and suddenly everything changed- why he was looking at Alexia so intently, why he didn't cover his left ear atnye party, etc. I absolutely LOVED the way they handled the topic at thebeginning with Jerome explaining everything to Arthur and to us and I LOVED thepositive discourse it started within the fandom with deaf/hoh people teachingothers and explaining things without getting mad at silly questions - tbh to meit was one of the best parts of the first half of the season and I'm reallygrateful for it ❤️

Sunday clips with gang were one of my favourite in theseason, I think Arthur took us all by surprise when he went to elu's flat totell the guys that he can't hear and they were chaotic and supporting andamazing and wow, I really don't understand what the fuck happened and wherethey disappeared in the second half of the season. I loved that they hinted aturbex king Eliott and I kinda feel like that might come back in s6....... butanyway. The 7 amclips were absolutely one of the highlights of the season. They helped to buildsome sort of routine and Robin absolutely nailed them, I could feel howpowerless and more frustrated he was feeling AND I also felt betrayed that wedidn't get one on Thursday and Friday. Even though after the first pool clip Iwas dreading every single next clip there, I really liked that they were showingus that Arthur goes there every Wednesday, it really helped to get inside hishead and to understand him more and I kinda wish they hadn't stopped thatbecause it would be a really power move to keep showing that. Alexia in episode2 was just WOW, i can't believe there were people who were saying she andArthur don't have chemistry or that he should break up with her because she'snot supportive - well, she proved you all wrong. Too bad Arthur was too dumband self-absorbed to appreciate that.

BASILE/ARTHUR FRIENDSHIP. All their clips were solovely and heartwarming, I loved how different Basile was in Arthur's pov toBasile we knew at the beginning of s3; when he didn't want to leave Arthuruntil he said back that he loves him :'))) wholesome. I kinda wish we got tosee more of those two, they're definitely hanging out just the two of them andthat's what was lacking for me, those 3 or so clips of just the two of thembeing wholesome buddies were great but they were not enough.

The party clip on Thursday of ep2 was great, I lovedhow they're giving us little insights of deaf/hoh community and showing usArthur getting drawn to it. I wish that it wasn't overshadowed by love triangleand we got more of it, but I'll be back to it later...

Now, episode 3 and 4 were strong in the term of clipsbut those two weeks were incredibly boring when you were watching it in realtime. The breaks were too long, there were three clipless days each episodewith hardly any social media update and at times it made me forget about theshow completely. The bar clip in ep3 was great until they started sayingproblematic shit and tbh I was really starting to stress over Eliott then -first we got a hint that housewarming party was canceled because he wasn't feelingwell, now over a week later he's not feeling well again and Lucas' "he'smy boyfriend and i love him" was very cute and I loved it but it alsostarted to lead to misery porn and this dread didn't leave me until the end ofthe season and I'm still worried that it will play a part in s6 and it won't behandled well (disclaimer: this is not about the fact that they're talking aboutEliott's MI, it's about how Lucas started to act like a martyr and the way theystarted to show him acting almost like Lucille).

Episode 3 was also the time when I think it becameobvious that Arthur's short outburst of communication was gone and we'll haveto deal with next few weeks of miscommunication, sulking and hiding. Beginningof ep4 was another moment for me when I wanted to escape from this seasonbecause of the fandom police - they created as hostile atmosphere for the fanswatching in real time as druck stans did during s3, when you couldn't commentanything or say anything without other people jumping on you, calling you outand hating you, that for a moment again I was ready to give up on the show. Ireally wish I had done it.

As much as I liked stupid gang content in thecafeteria the whole clip was kinda odd and the 1,5 days break between the clipand laser tag was too much. I feel like the pacing in episode 4 really didn'twork in their favour and the clips could've been placed in another order sothat the breaks weren't so long. The laser tag was such a strong clip withbeautiful cinematography and colouring and it showed us Arthur's problems withsensory overload and again - I wish we could find out more about it because inthe end the clip was too short and cut abruptly only for Arthur to go to Noeeto see her dance in a scene that was pure male gaze, where the camera lingeredon her flat, bare stomach, a few times showing close up of her boobs. And yes.I am aware sing language is a bodily language. But the thing is that itcould've been shown differently, without so many objectifying shots, with Noeewearing different clothes, without Arthur staring at her with his jaw dropped.Arthur who - may i remind you - had a girlfriend at that time. I can watchgore, I can watch open surgeries, I can watch blood, and fight, and beating,and all that without the blink of the eye. i could barely watch the clip ofNoee dancing. I've never felt so sick after watching something in my life, Ihad to go offline for a few hours cause I was feeling so unwell. This was sucha fucked up scene to film in such a way, to objectify her, to use male gaze, touse piano music, slow motion, man looking at her in a predatory way, and thisscene was so wrong on so many levels itself but when you add to it the factthat Alexia NEVER got scenes like that and all her dancing scenes showed her basicallyas a quirky friend having fun at parties. And that's disgusting.

But let's move on to episode 5. I loved all the scenesin the asso, I loved that they showed Arthur actually going to LSF classes, Iloved how he confronted his father about it later. Though episode 5 was alsothe start of the boy squad becoming brainless idiots, lying to his friend,plotting behind his back, going to a concert without him. Episode of beautifulcinematography and skating scene that I watched trying not to think about thefact that Arthur is basically having a date with another girl while hisgirlfriend is studying for her bac, of an oblivious guy not wanting to stop itbefore it's too late and everyone's hearts will be broken.... I loved that hesnapped at the guys in the detention clip. I liked the following clip withAlexia, when they made her talk about her insecurities, showed us how strongshe is but also how fragile she is at the same time. But that Sunday of episode6 was the moment I ultimately realized I don't care any more about this season.It was already ruined for me. Alexia opening up, Alexia asking Arthur aboutNoee and him saying the worst ableist shit ever, Arthur breaking Noee'sheart... Those three clips made me realize that for me it's too late, thedamage is done, and I won't be able to enjoy this season for real. Alexia wasbound to get her heart broken, I was pitying Noee because it wasn't her fault aguy she had a crush on kept on leading her for weeks, and Arthur... I dislikedhim more and more and I just wanted it to be over.

I loved all clips with Laura and Melchior, the playfuldynamic in their interactions with Arthur was one of the best things of theseason and I can't stop but think that we could've had the same thing but withArthur, Noee, and Camille. Meanwhile Noee was reduced to manic pixie dreamgirl, a homewrecker, a plot device, and Camille was there only to translate(and later to be Mika's boyfriend). I really liked the clip with Noee andArthur reading her letter about cochlear implant, it was very informative andit was the kind of content I really wanted to see in this season. The onlything I hated about it - which was a recurring theme in clips with Noee... - isthat Arthur kept forgetting about Alexia and this was so unfair to her.

Now. The Valentine's Day. I loved the sourd datingclip, again, it was something that I wanted to see in the season and it was avery strong clip. But then the rest of the episode... I really wish it didn'texist. Jumping to the pool in clothes???? Arthur sharing his deepest trauma andNoee kissing him??? NOEE AND ARTHUR SHIPPERS JUMPING ON PEOPLE SAYING THAT SHEDID IT TO COMFORT HIM???? Sorry guys, I don't know about you but when myfriends are sharing something traumatizing to me I hug them or hold their hand,I don't kiss them with tongue. Also using a flashback??? It doesn’t go wellwith the show’s format, why was it even used???

Episode 8 was... Episode 8 was wild. And weird. Andstrange. And I don't really know what was the point of it. But despiteeverything crackfic farm au was at least entertaining and it was kind ofsomething we needed then after weeks of will they/won't they and hating Arthur.Whipped elu was everything, the fifi saga was hilarious and I rewatched itaround 50 times and it still makes me laugh - Maxence nailed it but ?? what wasthe point? they killed Eliott's bunny so that he would become vegetarian? Theywanted to traumatize him and cause him to have an episode that was cut in theend? (I really wouldn't be surprised, there are 2 clips missing from firstepisodes each, and probably more in the others). I really don't know what wasthe point. The 6h15 or sth clip was funny but if Lucas and Arthur hugging itout cause sorry bro / it's okay bro / bro / bro is what they're considering aproper apology then I'm sorry but it isn't. What's more, the pacing of thisepisode was incredibly off and the clips didn't add up and there wasn't anynatural flow to it - they should've madetwo clips on Sunday - with Arthur getting to the van and them arriving to thecountryside, two clips on Monday with 6 am and then Daphne and Basile, Fifitrilogy on Tuesday and then right after midnight on Wednesday Arthur and Alexiain the barn. Now, the cheating excusing convo... I was absolutelydisgusted by the boy squad and the fact that YANN who was cheated on in s1advised Arthur to not say anything... wow. Also I really don't like what Eliottsaid there, I understood it in that moment that he was mainly talking from aphilosophical pov that humans are never satisfied in general, but he was sayingthat during the cheating convo, right after he said that he cheated on his gfto get with his bf, he said it while Lucas was right there, knowing that he hasdeeply rooted abandonment issues and this is what made the situation worse. Ithink I'll talk more about the fandom reaction and team's comments later causethere will be a lot to unpack there so yeah, I'll leave it for now.

Because now let's move on to February 21, aka theFriday that changed everything. Can I just say that I have never seen a worseclip ever in my life? That wasn't skam. That was soap opera. And not even agood one. I can't even comprehend how they wrote THIS and thought it was good.I despise the choice of making Noee speak out loud with every fiber of mybeing. First they objectified her, reduced her to the plot device and 1/3 ofthe love triangle, and now they stripped her of her integrity for a guy who wasconstantly leading her on, who has a girlfiend. They made her so desperate tomake him stay with her that she lost a part of himself for him. And for who??For a guy who didn't give a fuck about her? Who constantly played with herfeelings? Who mocked her and her language and her culture and didn't do so onlywhen it was convenient for him? Honestly fuck him, fuck Arthur. And then A CARCRASHED INTO HIM LIKE ????????????? Someone please explain to me what was thepoint of that cause the only one I see was to provide a fandom with a greatfree entertainment.

Now, episodes 9 and 10 were overall much stronger thanthe past few weeks but it was already to late to salvage the season. We gotanother cheating apologists scene which was - again - absolutely disgusting,especially coming from Lucas - who gave Arthur the same advice he gave to Emma- and Yann - who was cheated on and knew from his own experience that stufflike that always come out in the end. It's like all their character developmentfrom previous seasons went down the drain. Arthur on the other hand seemed tohave a character regression with each passing week. I'm still appalled by whatLucas said - that Alex is their friend but Arthur is part of the gang. It wasdisgusting. And it was out of the character. And it was the worst possiblething that could've been said.

Coline's song was so beautiful and I was so happy thatArthur finally realized what he's lost, though I feel like all those intensestaring between Arthur and Noee was unnecessary again, it's like they couldn'tjust give us a break for one clip from them, it's like she was constantlystealing Alexia's moments, whether she was on screen at the time or not.

The clip with elu was sweet and gave us greatwholesome content, but it only confirmed that Lucas' abandonment issues woke upfrom their nap and I'm already dreading what they're planning to do with thatin s6, especially that according to the latest news Lucas is not very presentin the next season... The polyamory talk... It was odd. It felt force. Thebuildup to it wasn't done very well and what' more it was built on cheating.And that's doesn't bode well. It's also quite ridiculous how it took 1 minuteconversation with Lucas or even one sentence from him tbh for Arthur to go"oh yeah I'm poly. I think." and tell Noee that he loves her eventhough he spent the last couple of weeks denying that and pushing her away. IHATE that yet again they made her be so desperate and cry when he was tellingher this. That's not Noee they gave us in the first half of the season. Ireally liked the clip of Laura and Melchior and Arthur giving the presentationto the students but Arthur's grandiose speech to students and then to girls wasso strange, there wasn't any buildup to it, or more likely Arthur that we werehaving on screen from the end of ep 4 till the end of ep9 was gone and the oldArthur finally showed up. But nevertheless it was strange and not very fittingto the way how the story progressed.

NOW the last two clips - first was a little bit shortand I can't say I was a huge fan (though Eliott's kermit-like dance waseverything jdskjdkjjd) but the second clip was absolutely beautiful, we finallysaw Daphne talk, I'm still not sure what to think about Noee/Arthur (not reallya fan of how the story was resolved... or how it wasn't resolved), AND THEMURAL! LUCAS CRYING BECAUSE HE'S PROUD OF HIS BOYFRIEND! ELIOTT ONCE A YEARMAKING A MURAL OUT OF PURE LOVE! EVERYONE CRYING! ELIOTT NOT PAINTING HIMSELFBECAUSE HE DOESN'T CONSIDER HIMSELF PART OF THE SQUAD (although he is, I don'tknow why they don't understand it) and... Lola. But I guess I'll be back to itlater.

So now, I can't say I'm a fan of the season. I enjoyedsome of the clips, but overall it was a mess, love triangle and fandom and crewbehaviour ruined the season for me. I was absolutely disgusted but howprivileged fans acted on tumblr and on twitter. And yes. There are privilegedfans, fans who were shutting others up because they "don't want us to getour hopes up when we don't know what might happen", fans who were sayingthat "you don't know anything haha i can promise you don't know shit hahano i don't know anything and no i'm not jealous haha you just don't know buthaha tell me this oh how stupid you are", fans who were acting like afandom police all the freaking time, yelling at everyone to "wait and see!you don't know what will happen!". Well. We didn't. Because contrary to 5%of the "little ones-fans", the rest 95% is not privileged enough toget a special treatment, to be invited on set for filming, to know the detailsof the plot before the season airs, to know the bigger picture. It's not fair.If you really know everything then great, I'm happy for you, but let the otherswatch the show how they like, let them react to it clip by clip. Because mostof us don't know the bigger picture and don't know what will happen and how theissues will be resolved. And you are aware that the format of the show itselfencourages viewers to react to the events of the story as they resolve onscreen and through transmedia content, right? That's the essence of skam.Taking that away from the regular fans because you've been let in to some innercircle and know it all is absolutely disgusting. Don't interact with the fandomif you can't stand seeing people not agreeing with the writing choices,questioning what they watch and theorizing about what will happen. If you're soabove it, then just stick with the people like you, with those 5% or so ofknow-it-all and "enjoy" the show with them. Don't ruin the fun forothers. You're not better than anyone else. Don't act like it. Don't be ahypocrite. Don't act publicly as a fandom police, criticize everyone who sharesspoilers and call them out and write hateful posts, if you're doing the sameprivately, if you can't shut up when someone sends you a dm or a message offanon and suddenly you spill everything. Don't be fake. If you know stuff, thengreat, I don't know admit it and say that you want say anything or don't sayanything but then don't spread the spoilers and don't write cryptic comments inthe tags. It's not helping anyone and it's definitely not doing anything good.And to people on twitter currently posting what I guess they assume are vaguetweets about cast’s personal lives? Fuck you. You’re so loud, you know? Maybeyou think you’re talking in a special code only you and your friends can guessbut it’s so obvious and so disgusting, you really have no shame. Grow up andget a life.

Another thing that ruined the season for me was theway the crew was acting on twitter and instagram and I’m so so so disappointed by their behaviour,especially that I’ve always considered them as one of the most open-mindedteams who respect their fans and their opinions. Turns out they do that butonly when the reactions to the clips are positive. I mean, I kind of get it,obviously everyone wants to hear the praise, but you cannot ignore thenegative comments and fans’ concerns, especially that there were plenty of themthis season. And during social media age when it takes one click to see theliked posts or comments, it becomes obvious that the crew was only interacting (evenin such a passive way like liking comments or tweets) with fanswho were praising the show. All the negative comments and questions werebrushed off, saying that “the season will reveal its own truth” and that iffans will have any questions they will be answered after. Well, franklyspeaking, me and my friends have a list of questions that we’d love to get ananswer for:

- why was love triangle necessary?- why did they make Alexia and Arthur a couple in the first place if theywanted him to go after Noee?- why did Noee say she doesn't like talking out loud cause sign language is howshe communicates only to yell at Arthur to stop him from leaving, losing herintegrity for a guy who doesn't care about her?- car????????????????????????- cheating convos - why are they excusing it like that- treatment of Alexia & why did they include numerous comments about Alexia'sbody?- THE MALE GAZE - why did the camera focus so much on Noee's body, why was sheobjectified and why was she presented as a stark contrast to Alexia?- fifi?- p*trick and why the abuse was introduced so late in the plot and overshadowedimmediately by cheating and then followed by crackfic farm au?- why didn't we see any Arthur centered clips where he shows he likes art?- why did Arthur and space have no relevance in the season???- why are Lucas and Yann saying shit every time they open their mouths and whydid they forgot about everything that happened in s1?- the whole convo with the boy squad on valentine's day and how shitty theirreaction was - why?- why we didn't see any actual squad interactions on holidays and no realapologies?- why does the life of the characters always has to revolve around romanticrelationships?- why can't men and women be friends unless the man is gay?- what was the point of all the ship wars and skamlaserie photo withArthur/Alexia and Arthur/Noee *especially* after all the comments on twitterand on Instagram when fans were fighting already and it only made thingsescalate? Why not stop it, why pit fans against each other, why let it escalatelike that?- why draw parallels between elu and Arthur/Noee?- Why was Noee reduced to love interest and Camille to translator 90% of thetime and why don't give them similar dynamics with Arthur as Melchior and Laurahave?- how can Arthur see underwater?- Catherine - was she just a queerbait?- tuturo comment from the forum and Arthur's 'relationship' with 34 yo - whywasn’t it mentioned ever again?- how could noee not know arthur has a girlfriend since she was following himon instagram and he had photos with alexia there?- what happened with basile's birthday since they never celebrated them??- in samedi 11:04 (5x10) eliott says "i've got some croissants, do youwant me to heat them up?" which implies that he's already bought them andbrought them back to the flat BUT he's putting his jacket on as if he was aboutto leave and then he leaves and slams the door so what's the truth?

The crew completely invalidated the feelings andconcerns of the fans and what added fuel to the flame for me was thatskamlaserie post with Arthur/Noee/Alexia and caption that they can’t choosecause they love them both and… Honestly, who the hell works there. There’s beendrama for the whole week on twitter and under David’s posts on insta andinstead of finally end it, idk block the comments or just make a statement ORWHATEVER, they posted THAT on the official show’s account?? Why haven’t they stopped it? Why did they keep on pitting fans against each other up to the point that one twitter user started getting DEATH THREATS only because they translated some video??? Absolutely disgusting.@skamlaserie and @fr team: hate to break it to you but there's nothing wrong with being single andthere's plenty of teenagers who aren't in relationships in high school andthat's okay... maybe that's how Arthur should've started the season instead ofbecoming a cheater and leading on two girls at the same time just for the sakeof having unnecessary relationship drama which literally only created somepointless ship wars and put half of the fandom off watching the show... just saying.

Then, another things that rubbed me the wrong way werethe whole “canceling” discourse (that never really happened and I still standby what I said in the comments to this post so I’ll just direct you to it) and imposingthe one “right” interpretation on the fans - I specifically have the cheatingconvo from episode 8 in mind now. We all have a right to our owninterpretations of every scene, here many people saw it as Eliott’s commenthaving an effect on Lucas and his abandonment issues and started commenting onthat on twitter and David had to rush to explain that he hadn’t meant Lucas,that Eliott won’t cheat and that they won’t break up and will stay together.Well, the thing is that there’s such a concept as “the death of the author”which I suppose you can already guess from its name says that the author, theirbeliefs, backstory, opinions, etc. shouldn’t be taken into account wheninterpreting the text because writing (or in this case - a show) and creatorare separate entities and shouldn’t be correlated. First of all, thismetaphorical extinguishing of fire seemed pointless and like a mockery, seeinghow two episodes later it turned out people were right and Lucas really tookEliott’s comment personally and his insecurities and abandonment issues wereshowing up again; secondly, after that there were many comments from the crewabout how Elu will stay forever and never break up and maybe it’s just me but Ithink that was obvious, right? So why would they keep repeating that? Unless…something will happen in s6 that will make us doubt that and it’s a preemptive damagecontrol 🙃

So to sum up this monstrosity that I have no idea ifit even makes any sense BUT ANYWAY: I liked some of the things in s5 but overall Ireally really didn’t like it, some people in the fandom were incrediblyannoying and turned out to be fake and complete hypocrites, and the crew’s behaviour on socialmedia leaves a lot to be desired and I can only hope they will acknowledge anycriticism of s6 and won’t blatantly ignore fans’ criticism again. So that’d beit. If you read it till the end then you’re stronger than Sabrina giffingArthur getting hit by a car and I respect you for that cause even I haven’t reread it, have a nice quarantineand stay safe!

[grimelords]

October Playlist

My October playlist is finished and it’s complete from Rico Nasty to Rachmaninoff. I absolutely guarantee there’s something you’ll love in this 3 and a half hours of music, and probably something you’ll hate too! Something for everyone!

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Santeria - Pusha T: In anticipation of Jesus Is King I relistened to the entire Wyoming Sessions project a few times, and a year removed from all the hype and controversy here's the thing: it's fucking great. The individual albums ranged pretty widely in quality and felt slightly unfinished for how short they were sometimes, but taking the project as a whole 5-album 120 minute playlist it turns out it's a masterpiece. My personal tracklist goes Ye/Daytona/Nasir/KTSE/Kids See Ghosts, which isn't release order but I think makes it flow the best - both Kanye albums bookending it and the less impactful Nas and Teyana Taylor albums buried a bit further in where you can appreciate them now that you're deep in the mindset of the whole thing rather than alone on their own.

Puppets (Succession Remix) - Pusha T & Nicholas Brittel: This remix is such a perfect match: Pusha T’s corporate villainy finally given a context and prestige it deserves. It’s also short enough that it could feasible be the actual theme song next season, which would be a marked improvement imo.

Use This Gospel - Kanye West, Clipse & Kenny G: I am and remain a Kanye stan, even after everything. It’s nice to see him going back to the extremely uneven mastering of MBDTF era, it’s a sound that is uniquely his and it’s fun to see him revisit it. The thick vocoder harmony is so soupy you get lost in it, and the way it opens up to include the full choir in the No Malice verse is beautiful. Kanye reunited Clipse through Christ and we have Him to thank for that at least. The Kenny G break is great, and the grain and dirt on the whole track when the beat kicks in is so gritty you can feel it.

Man Of The Year - Schoolboy Q: I didn't love the Chromatics album they surprise released but it did thankfully remind me of the time Schoolboy Q sampled Cherry for Man Of The Year. Taken exclusively on lyrics, Man Of The Year is a triumph: he's the man of the year and it's all worked out but the sample and the beat underscores the dead eyed melancholy that runs through the whole of Oxymoron of never winning even when you've won.

Cold - Rico Nasty: This song fucking tears your face off. Imagine STARTING your album at this level of intensity. She just goes straight to 100 and burns the house down. Outside of Lil John so few rappers can get away with just straight up screaming in the adlibs but the way she just lung tearingly screams GOOOO through this is fucking sick.

Fake ID - Riton & Kah-Lo: TikTok songs are becoming their own genre, but it’s a very nebulous sort of a mood encompassing everything from aughts pop punk hooks to skipping rope raps like this. It’s a strange new way for songs to blow up that everyone seems compelled to write articles about but my take on it is it’s exactly the same as ads were in the old days. Remember how many songs did absolute numbers because someone put it in a Motorola ad? Same thing except you’re not being sold a phone this time, so in some ways it’s better. Anyway, this song bangs. The spirit of 212 era Azealia Banks lives on even if she’s doing her best ever since then to kill it.

Doctor Pressure - MYLO & Miami Sound Machine: There was a very good era in the mid-2000s where you could just put mashups out as singles and they’d chart, it was sick. My only two examples are this and Destination Calabria but I’m sure there’s more. Drop The Pressure is a masterpiece but as an alternate version this mashup is equally masterful.  

If You’re Tarzan, I’m Jane - Martika: Martika is unfortunately best known for the 1989 one hit wonder Toy Soldiers, a sort of boring overdramatic ballad which is best known for being sampled by Eminem in 2004 in his quite bad super duper serious song Like Toy Soldiers. I say unfortunately because every other song on her first album is great, it’s all hypercolour 80s synthpop and I love this song especially because it is so completely stuffed with activity it becomes dizzying. It gets so lost in itself that they completely abandon the dramatic pause before “I’m Jane” for some reason toward the end and instead just layer three different tracks of vocal adlibs. Every part of this song is great, the weird ‘o we o we o’ chant before the second verse? The neighing horse guitar before the bridge? The musical tour of the world IN the bridge? The part where she says ‘I want to swing on your vine?’. This song has everything.

You Got Me Into This - Martika: Every part of the instrumentation in this is amazing. The bass sound, the main synth, the extremely athletic brass, the wonderful echoing 80s snare that’s as big as a house. I just love it. She also does some really intriguing slurs on the word ‘love’ all the way through, just moving it around absolutely anywhere.

Space Time Motion - Jennifer Vanilla: I love when someone has such a clearly defined aesthetic and mission from the very beginning. Jennifer Vanilla is the alter ego of Becca Kaufmann from Ava Luna who I've had in this playlist before but never competely investigated. Jennifer Vanilla feels like an episode of Sex And The City where Samantha gets really into Laurie Anderson and she is incredible. This video is the best mission statement I’ve ever seen and is currently criminally underviewed so please do your part and support the Jennifer cause by watching these two videos.

So Hot You’re Hurting My Feelings - Caroline Polachek: Caroline Polachek said watch me write a Haim song and did it. Apparently the very early versions of this album started when she was in writing sessions for Katy Perry, but then it started to turn into something else and she took it for herself, and I think you can hear that. With more normal production and a little faster this is a hundred percent a Katy Perry song, but instead it’s completely uniquely Caroline Polachek and it’s all the better for it. And also Katy Perry must be furious because her new songs are simply not good at all.

Electric Blue - Arcade Fire: I just love the obsession of this song in the outro, chanting over and over and over “Cover my eyes electric blue, every single night I dream about you”

Promiscuous - Nelly Furtado and Timbaland: I got a youtube ad for one of those Masterclass videos the other day and it was Timbaland teaching production. This ad went for five minutes for some reason and I watched the whole thing and it made me admire Timbaland even more. He’s demonstrating his compositional technique which is basically to just beatbox, and then loop it, and then add some extra percussion layers with more beatboxing and hand percussion, then loop that and add a little melody by singing or humming. ‘It’s that simple’ he says. Then later he goes back in and puts in actual drums or synths or whatever. I was stunned because suddenly a lot of his music makes sense. Without the barrier of instrument or timbre to get hung up on it allows him to write from this instantly head-nodding place of just making up a little beat you can sing and dance to immediately. Listening to a lot of his music now you can hear the bones underneath everything so clearly, all his beats are supremely beatboxable and all his melodies are very hummable, they’ve never overcomplicated by instrumental skill or habits, they just exist to serve the song.

Serpent - TNGHT:  TNGHT are back baby and this song is like nothing I’ve ever heard before. It feels like afrofuturist footwork from another dimension, the mbira sounding lead against the oil drum percussion in this cacophony of yelps and screams that just builds to an irrepressible energy without a bassline in sight.

Ghosts Of My Life - Rufige Kru: I'm reading Mark Fisher's Ghosts Of My Life right now and some good person has put together a spotify playlist of all the songs he mentions. He has a whole essay about why this song is sick so I’m not going to go into it here but it’s interesting to hear about someone growing up with jungle when it’s a genre that has always felt very niche to me. I guess partly as a result of it never really making it mainstream as a genre here, and also me being a little too young for it.

Renegade Snares - Omni Trio: My biggest introduction to drum and bass comes from the game Midnight Club 3: Dub Edition and this really great song from the soundtrack that is finally on spotify after a very long absence. At almost the exact same time as I discovered this song with its spacious piano and repitched snares, I discovered Venetian Snares and breakcore in general. Having no particular frame of reference for breakcore as an offshoot of drum and bass only amplified its appeal to me as a completely alien genre that sounded like nothing else I’d ever heard, and so my personal history with drum and bass is a story of walking backwards into it after the fact which is interesting if not helpful.

Punching In A Dream - The Naked And Famous: The Mark Fisher book also mentions the Tricky song which I’ve never heard from which The Naked And Famous got their name and I thought ‘man remember The Naked And Famous, they were sick?’. The sort of harder edged Passion Pit instrumentation mixed with pop punk, a winning combination.

Vegas - Polica: My favourite part of this song is the unexpected blastbeats after the chorus, using their two drummers to their full advantage and just shaking the song by its foundations every now and then lest you get too comfortable.

Right Words - Cults: I’m beginning to suspect I may be the last surviving Cults stan but if this be my lot I’ll gladly do it

Running From The Sun - Chromatics: The new Chromatics album got me to relisten to their definitive document Kill For Love, and something new I appreciated this time about an album I love a lot is its length. Kill For Love is almost 80 minutes long and it luxuriates in that length. It’s sequenced perfectly so it never feels like it’s long for no reason, but large chunks just completely space out and go out of focus in the soft neon light and the second half of this song is a good example. The whole thing just evaporates into smoke and it feels perfect. If this were a shorter and more concise song that had a proper ending it wouldn’t feel right, this whole album has no straight edges at all and it’s all the better for it.

Chance - Angel Olsen: I cannot belive this song. This feels like she wrote her own version of My Way looking forward instead of back. Instead of the ruefully triumphant "I've lived a life that's full / I've traveled each and every highway" it's “I don't want it all / I've had enough / I don't want it all / I've had a love." before the turn from the future to the present at the end, where she gives up on a forever love in exchange for right now. I love how raw this vocal take feels. It's not her best voice but it feels very very honest as a result. She's just singing her heart out in this huge showstopping closer. In an interview she said "I didn’t love the recording of it very much, and now I just feel in love with it as a closing statement, because it’s a way of saying, ‘Look, I have hope for the next thing in my life.’ I’m not going to anticipate negativity or hate or an end. But instead of us looking towards forever, why don’t we just work on right now?"

Something To Believe - Weyes Blood: This album just keeps paying dividends. I’m systematically going through long obsessive periods with every single song on it and now it’s Something To Believe’s turn.

Don’t Shut Me Up (Politely) - Brigid Mae Power: Without meaning to, Brigid Mae Power seems to have created some incredible fusion of folk music and stoner metal. The way this song absolutely sits unmoving on one deep and resonant chord for so long is amazing. When it does change chords it feels like a full body effort to get up and shift. She has a similar feeling to Emma Ruth Rundle, who more explicitly wears her metal influences, but Brigid Mae Powers' strength is in how much it resembles the traditional folk side of the spectrum. Her voice is also amazing, with the huge effortless runs she goes on about halfway through just coming unmoored from the song completely and floating off into space.

Sweetheart I Ain’t Your Christ - Josh T. Pearson: I had a real problem with Josh T. Pearson for a long time because of how he presents as so authentic on this album, and as I’ve previously discussed in these playlists the concept of authenticity in country music is a source of neverending anguish for me. But his newest album The Straight Hits! has largely cured that for me because it’s not good at all, is extremely contrived (all the song titles have the word ‘hit’ in them) and he’s shaved his beard and replaced it with one of the worst irony moustaches I’ve ever seen. So now I’m free to enjoy The Last Of The Country Gentlemen as a character construction, which allows me a far deeper and truer engagement than the idea of a man actually living and thinking like this which is frankly a little embarrassing.

Codeine Dream - Colter Wall: I love this song, it has that feeling that great folk songs do of feeling like you’ve always known it. The strongest moments on this Colter Wall album to me are in songs like this that chase this particular feeling of morose isolation, and where he leans away from storytelling like his biggest hit Kate McCannon - a kind of cliche country murder ballad. This song is fantastic because of the way it wallows in this black depression not as a low point, but as a reprieve from the lower previous point. Things are as bad as they get now, and they’re always going to be like this, but at least I don’t dream of you anymore.

Motorcycle - Colter Wall: I only just found out about Colter Wall this month and have been listening to this album over and over. When I first heard him I though it was strange I'd never heard of him before because he's obviously some old country veteran based off his voice, but it turns out he's 24 and this is his first album he just sings like he ate a cigar. I love this song especially because it's so straighforward. It's a simple and supremely relatable mood: what if I bought a motorbike and fucking died.

Who By Fire - Leonard Cohen: I watched American Animals a couple of weeks ago and it’s a great movie, highly recommended. This song plays near the end and I waited for the credits to find out what this great song was, and like a rube found out it’s only one of the most celebrated songwriters of all time. I’ve never had much of a Leonard Cohen phase, somehow. In my mind I always get him mixed up with Lou Reed, which I’m learning is actually way off. I love the harmony vocals in this, and the way they move around into the shadows in the ‘who shall I say is calling’ parts.

Words From The Executioner To Alexander Pearce - The Drones: Alexander Pearce was a convict who escaped Sarah Island’s penal settlement in Tasmania with seven other convicts in 1822. He was recaptured two months later alone. In 1823 he re-escaped with a fellow convict, Thomas Cox and again was returned alone.He was executed by hanging later having eaten six men during his escape attempts.

It Ain’t All Flowers - Sturgill Simpson: I found this album going through the Pichfork 200 albums of the decade list and I feel like a fool for not having heard it sooner because now I am completely obsessed. Sturgill Simpson is doing the very best work in country music right now because he's looking backwards with one eye and forwards with the other and this song is a great illustration: a perfect Hank Williams Jr type country song with big voiced hollers that morphs into a surprise psych freakout for the whole second half.

Desolation Row (Take 1, Alternate Take) - Bob Dylan: I’ve always liked Desolation Row a lot as a song but the acoustic guitar on the album version is simply not good, it's just kind of mindlessly playing this long directionless solo the whole time and over the course of a song this long it really adds up to just being annoying. Luckily because it’s a Bob Dylan song there’s a whole universe of alternate takes and mixes and this is a great pared down version I found without it. The best kind of Bob Dylan songs are the ones where he just makes an endless stream of allusions and bizzare imagery, and this and Bob Dylan's 115th Dream are my favourite examples of it.

Living On Credit Blues - El Ten Eleven: This is a groove I get stuck in my head a lot, and this is also a song I think would work well as a theme for a tv show. I've been meaning to do a 30 second edit of it just for my own amusement, maybe I'll do that soon. El Ten Eleven are a duo where one guy plays drums and one guys plays a double necked guitar/bass and looping pedals and somehow against all the odds of that description they manage to make emotional, driving instrumental music of very deep feeling, like this song which is one of my all time favourites.

Dusty Flourescent/Wooden Shelves - Talkdemonic: This is sort of a companion Living On Credit Blues, and Talkdemonic are similarly an instrumental duo with good drums. This entire album from 2005 is highly recommended, it's a sort of halfway between the post rock of the time and a kind of acoustic hiphop instrumentals that ends up sounding very rustic and homemade, like a soudtrack for a winter cabin.

Turnstile Blues - Autolux: This is a perfect song, built around a perfect beat. Every part just fits perfectly.

Fort Greene Park - Battles: The new Battles album is finally out and I absolutely love it. I cannot think of another band that has shed members in the same way as Battles; originally a quartet on their first album, then a trio for their second and third and now down to a duo for their fourth album - and somehow still performing material from their first album live. The paring down has seemingly only servers to focus them and the new album sounds fresh but still distinctively Battles, with no sense of anything lost or missing. This song is my standout so far, and the guitar line in particular is so good and interesting to me because I don’t think I’ve ever heard Ian Williams play something so distinctly guitar-y in his whole career. This is a straight up pentatonic riff with bends and everything. Filtered through his usual chopped and looped oddness it feels like he’s almost gone all the back around the guitar continuum and is this close to just doing power chords next album. And I’ll support him!

Diane Young - Vampire Weekend: I've listened to this song a lot in my life and I only looked up the lyrics the other day to find out that the opening line is 'you torched a SAAB like a pile of leaves' which I somehow never noticed. What a power phrase. There's also this very good quote from Ezra about it: "I had this feeling that the world doesn’t want a song called ‘Dying Young’,“ says Koenig, "it just sounded so heavy and self-serious, whereas ‘Diane Young’ sounded like a nice person’s name.”" and he was right to do it. This song is 100 times better because he’s saying Diane Young than it would be if he was saying ‘Dying Young’. That’s a songwriting tip for you.

Monster Mash - Bootsy Collins & Buckethead: Hey did you hear Bootsy Collins and Buckethead did a cover of the monster mash? Thank god for freaks.

The Dark Sentencer - Coheed And Cambria: There's not that many bands that I absolutely loved as a teenager that I've completely abandoned. I've moved on from a lot but I'll still keep up with them if they have a new album or something. Coheed And Cambria are one that I've almost completely turned my back on. They've had 3 apparently pretty patchy albums since I stopped listening after Year Of The Black Rainbow, which was extremely bad and really taught me what people mean when they say an album is 'overproduced'. On a whim I decided to see what they're up to now and listened to their album from last year and guess what: it rocks. It's got everything you'd expect from them: big riffs, bad and confusing lyrics, his weird high voice, overwrought and overlong songwriting, cheesy muscleman solos. Everything about this band is sort of cheesy and embarrassing and takes itself way too seriously, but I'm discovering slowly that that's what's so good about it. The weird pulp sci-fi story and mindset that underpins this whole band is ridiculous and overwrought and as a result it gives the music a reason to exist the way it does. It’s so big and dumb because the story it serves is so big and dumb. It feels exactly like reading Perry Rhodan or some increidibly long and dense but not especially good series like that, it’s pulp music and that’s what I love about it.

Romance In A (6 Hands) - Sergei Rachmaninoff: Piano works for 4 hands (where two guys sit next to each other on the same piano) have always seemed to tend towards the realm of the gimmick or party trick, and works for 6 hands (where three guys do it) even more so - but this Rachmaninoff piece is just beautiful and I can’t believe I haven’t heard of it before this month. It doesn’t overload everyone with a million things to do, it just builds this very wide harmonic bed for the simple melody to swim in - then the way the melody transfers over to the middle register is just magical before the tension of the final section takes over and builds.

Love's Theme - The Love Unlimited Orchestra: I’m so glad I got to learn about the Love Unlimited Orchestra this month. Aside from having one of the best names in music, they were Barry White’s backing band and had their own solo instrumental records too. Here’s a fun aside: Kenny G was a member when he was 17 and still in high school. This is a genre of music that has seemed to totally disappear into the realm of parody and farce only which is sort of a shame because it is unironically very beautiful and dense in its own way.

Dancing In The Moonlight - Liza Minelli: Can you believe I thought Dancing In The Moonlight by Toploader was an original until the other day when my girlfriend played this Liza Minelli version that predates it by several decades? This also isn’t the original! It was written by a band named King Harvest in 1972, with this version AND a version by Young Generation both coming out in 73 and a whole bunch of others in between (including a Baha Men version in 94) before Toploader finally had a proper hit with it in 2000. Truly the world works in mysterious ways. This version is the finest I think, it just goes and goes, frenetically unwinding at a breakneck pace before opening up into a flute solo of all things and then winding up again even and finishing in a kick line breakdown. Absolutely no limits.

Girls - Royal Headache: The sheer amount of power and melody that this song manages to pack into a minute and a half is incredible, and I don’t think I’ve ever heard a more instantly relatable opening lyric than “Girl! Think they’re to fine for me! Oh girls! And I’m inclined to agree!”

Pov Piti - Matana Roberts: In anticipation of Matana Roberts new volume of her Coin Coin album series that just came out I relistened through the three previous albums and they are even more powerful than I remembered. This song serves as a pretty good mission statement for the whole project, and the heartrending tortured screams that open it set the tone for the rest of it. Matana Roberts sings the injustices of slavery into being, and her sing-song delivery highlights the trauma - her indifferent delivery mirroring the indifference of the world at large. The way she rattles off this story like she’s gone over it a million times and grown numb to the facts only accentuates the pain in the telling, a pain that rises to the surface in the screams of her instrument and herself.  

Kingdoms (G) - Sunn 0))): This new Sun 0))) album is one of my favourites they’ve ever done because it’s so straightforward and back to basics. Every song is just ten minutes of straight up no-nonsense, big, rich, drone. They even put the notes in the track names so you can drone along if you like.

listen here

[darkficsyouneveraskedfor]

Witness : 26

Not Right

new moodboard created by @iheartsebastianstan​ Thanks to them and to anyone who wants to create one of their own or some art, I would be eternally grateful. You all are so amazing!

Character(s): dark!Bucky, dark!Steve, too

Masterlist

Warnings: this is a dark!fic, it contains non/dubious-consent elements. Some violence as well at the beginning. It goes without (and with) that this is 18+.

In this chapter, sex and internal conflict.

Summary: The reader feels her world closing in but it might be too late to save herself.

Notes: Okay, thanks to everyone and their patience with this series. Honestly the response has been overwhelming! I love you all so much and it's really meant a lot considering my recent mental episodes. I hate that I have so many issues and they always pop up at the worst times but this series makes it easier to deal with. I know y'all have come for the story and don't need a whole dump here but I think it's a little obvious that I've poured a lot of myself and my internal struggles into this one and so it just means so much more that it has had such a big response. Again, thank you for listening to me ramble and supporting this series! <3 Now, onto actual business here! This chapter has some juicy little tidbits (and I don't mean sex) just something y'all have been waiting for... I hope you all enjoy :) Tomorrow will be the second chapter of Happy Together so brace for some dark!Steve and Saturday will be another one shot requested for the raffle! (Again dark!Steve) so we have quite the line up. Anyways, as usual, comments mean the world to me. It's nice to have feedback and I just love hearing all your reactions and thoughts. :D You guys are so wonderful.

Please, reblog and or reply with your thoughts!! I’ll see you in the next one. :)

As promised, Bucky and Steve left town at noon. You were relieved to see them go but the looming threat of their presence had distracted you from the dark thoughts which now began to rise in the back of your mind. Vague memories of words exchanged; about you, about others. Gill... you knew nothing about her, only that she used to sit at the very desk you were now behind. And, if you were to guess at it, she had also been involved with the two men who had you caught in their claws, though you couldn’t say how.

 You tapped your fingers on the desk as you scrolled through Pepper’s inbox, weeding out the junk, responding to those which could be generically shrugged off. It was second nature now. Almost fun. You imagined what it would be like to be her. On the arm of one of the most powerful men in the world, protected from others who might wish you harm. You were in almost the complete opposite station in life. You were trapped under the thumb of one who saw you as nothing more than a prop and you had little means of helping yourself.

     “I promise, she won’t be another Gill.” “She’s not another one of your toys…”  

 What had happened to your predecessor? The black text blurred past your vision as you thought, scrolling the wheel as you thought back to your nights spent with both super soldiers. As much as Bucky set your nerves on fire, Steve was utterly terrifying. He was able to flip a switch, turning from the smiling office colleague to sinister masochist. You could feel his hands on your neck then. Had Gill felt the same fingers against her flesh, the same dread mixed with airiness? Is that why she had quit?

 You sat back, looking around the office. There was no one there but you were ever paranoid. You leaned on the chair, glancing just down the hallway as an idea tugged at your mind. You took a deep breath and moved the mouse, hovering over the “sent files” link before clicking. Pepper’s emails, including those written by yourself, appeared before you. You began to scroll down, watching the date revert until well before your first day. And then you found it. An email with a familiar name upon it; ‘Daily Roster’ fwd. Gill Nazar. You stared at the name, another glance around the office.

 You clicked and let the air out of your lungs. Nothing beyond the usual message; a list of names, times, special instructions. It was the same thing you received every morning. You clicked out and opened up the browser, typed in the former secretary’s name and hit enter with a rush of a anxiety. As the little circle reeled beside the cursor, so did your head. The results popped up and your heart dropped. You clicked on the first link; a headline already forgotten.

 ‘MISSING WOMAN: FORMER SECRETARY ON THE RUN?’ It was the most recent story on Gill, declaring that previous reports of her disappearance had been exaggerated and she had in fact merely run away from her boring office life. You explored those which preceded that, every day back in time building the heat along your spine. There were no clues which could have led to her discovery and the last article gave only an account of her wild college days, not far behind her, and a questionable quote from a “friend” to support its thesis. Yet the case had been closed and no one was looking for Gill Nazar any longer.

 It just didn’t add up and you suspected your inevitable disappearance would make even less sense. The thought chilled you to the core and a sudden wave of terror came over you. If you didn’t get out soon, you would be the woman pasted across the articles, but only for a week before you were buried beneath the next week’s headlines. Another would sit in this chair and contend with the super soldiers.

 You were shaking. Your eyes were glued to the screen and you couldn’t stop the panic as it filled your veins like ice. You needed to act soon or be lost forever.

A couple days later, after the revelation that Gill hadn't necessarily quit for a better job or due to a sudden windfall, you were still trying to figure out how to process the information. You couldn't say for sure that she was dead but it wasn't an unlikely conclusion either. The way Steve and Bucky spoke about her as good as confirmed your suspicions. And if her fate was so shrouded in mystery and fatalism, what then would yours be?

 This wasn't just something you could forget but you could try to suppress it, at least distract yourself from it. It all seemed pointless now that your fate was as good as confirmed. Even as you played along you weren't promised any other end but that which you had tried to barter yourself out of.

 Currently you were in the middle of a convenience story, your arms filled with a multi-pack of gummy worms, gummy bears, and sour keys. The endorphins afforded by such an indulgence might be enough to ward off the shadow which loomed over you. A couple chocolate bars were added to your load and you dragged your feet up along the last aisle. Your eyes caught shiny plastic packages, hung on security hooks, and you skidded to a halt. You tapped your toe and looked around.

 You stared at the flip phones. ‘Burners’ they were commonly referred to as by dealers and similar criminals. You chewed your cheek, the wheels slowly beginning to wind on your head. “Excuse me,” You called over to the cashier, bent over the daily crossword in the newspaper. He almost reminded you of yourself and your doldrum work. “Can I get two of these phones please?”

 He pushed himself away from the counter and came out from behind the lottery tickets and gum to shove a round key on the hook. He unlooped two and brought them up to the counter where you met him on the other side. You set the rest of your wares before him and he punched in the items dully. He seemed rather unfazed by your purchase but you gathered a place like this would have shadier types than yourself frequenting the joint.  You accepted a plastic bag and and took your haul out onto the street. Finding your car, you slid inside and started the engine, a plan piecing itself together in your head. Well, nothing substantial but a line of communication. A way to protect yourself and your mom when an escape presented itself.

 Back at your apartment, you took out the twin phones and charged them. You activated them with a set of fake names and typed in a message from one to the other. You left it unread so that the notification still showed.

     Mom, text back when you get this. Y/N.  

 You would buy a parcel tomorrow and send it without a return address. That way Bucky couldn't track it. You felt an odd sense of accomplishment, a fragment of your independence secreted away. Even if you were caught out, you had tried.

 You dumped the packaging down the building's chute and hid the phones beneath your kitchen sink, just behind the trash can. Just in case. You never knew when Bucky would return and he always seemed to drop in at the most inconvenient times.  Your suspicion proved prudent as you slept heavily that night. No longer did the sense of doom hang over you so darkly and you dozed quite comfortably in your own bed. The morning after held a simple task and a rare sliver of hope.

 But you were roused to half-slumber by a distant sound. There was a presence in your room thought your mind refused to retreat from its respite, instead you listened as if through a tunnel. A series of rustling, metal clinking, and muted footsteps. The mattress dipped beside you and a warmth snaked around your waist. At last your eyes snapped open and you grabbed the hand tucking itself under your side.

 “It's just me,” Bucky's whisper was not as comforting as he would have hoped. “Go back to sleep.”

 You tensed against him, not expecting such...gentleness? He wasn't forcing your legs apart or holding you down. In fact, he was giving you a new option. You would take sleep if it saved you from his usual tendencies.  The rest of your night was spent in a shallow sleep, the presence beside you kept you from sinking back too far. In the back of your head you wondered why he was there. After days away on a mission he had decided to show up at your place in the middle of the night and slink into your bed like some long-awaited lover.

 Still you resisted consciousness if only to avoid the answers to those questions. You were woken however against your will. Your mind still shrouded in drowsiness you grumbled as a hand pushed its way between your legs, sliding up your thighs, careful circles drawn along your clit. It was almost relaxing, the warm nestled in your pelvis as the fingers carried on. It was only as the grunt rasped in your ear and you felt the prodding along your back that reality slapped you.

 Bucky was spooning you, his hand squeezed between your legs as he teased your clit, your shorts gone. Your own hand shot down to try to stop him but a soft ‘uh uh’ kept your from doing so. Slowly, he shifted away from you, his fingers still tugging at your core, and rolled you flat onto your back. He pushed your legs apart and you let them splay open, wondering if this was actually some twisted nightmare. A most confusing one indeed.

 His beard tickled across your shoulder and along your neck, his lips laying sweet pecks along your skin. Your heart was hammering in your chest. What was he doing? This had to be some trick. To be so gentle with you he must have been planning something awful. His nose brushed across your cheek, his eyelids hooded over his blue eyes as they closed and he leaned closer. His lips were on yours before you could turn away and your eyes were wide open. He was kissing you. He had never done that before.

 His fingers continued to pluck at you and you moaned despite yourself. The heat was pooling just so and you couldn't resist the flames licking along your thighs. You shuddered against him and he removed his lips at last so that you could turn your head and pant at the sunlit bedroom. He pressed his head once more into the crook of your neck, bringing you to a most disconcerting climax.

 As the after waves took you, Bucky climbed on top of you, replacing his fingers with his cock, running his tip along your folds before slowly entering. You gasped. You wanted him to stop because it felt so unfamiliar, so wrong, and yet you wanted him to keep going. The intimacy of his actions was both long-missed and entirely unsettling. You craved it, just not from him. Not in this circumstance. His breath was hot against your neck as he began to move within you, one hand on your hip, the other tangled in your hair, cradling your head.

 You tried to resist the tingling his touch was sending through you but your mind was too tired and your body weak. You gripped his bicep as he moved against you, your nails digging into his flesh as you fought him and yourself. There wasn’t any real strength put into it as you felt like jelly beneath him, every thrust sending a star across your vision. Your eyes rolled back and you let the haze take you, your name ringing in your ears as you met with yet another orgasm.

 Bucky grunted your name low in your ear, bringing you back to the moment. You felt the warmth spill within you, his cum filling you and seeping around his cock. He collapsed atop you, not moving as he breathed heavily, his head just beside yours on the pillow. The glow of your lust began to fade, the oddity of reality like a bucket of cold water poured over you. You could handle him treating you like a toy, tossing you around, manhandling you, calling you a good girl, but you couldn’t do this. Him touching you so softly as if he actually felt anything but pure spite for you, saying your name…

 “Get off of me,” You whispered, “Please, please.” You began to panic, smacking your hands against his shoulders as you begged him. You couldn't breathe. “Please. Get off!”

 He pulled out of you, sitting back with visible shock on his face. You quickly rolled over the edge of the bed, barely getting your feet under you before you met the floor. You tripped over yourself as you scurried out to the washroom, slamming the door and locking it. You felt his cum dripping down your leg and you cringed. You stepped into the tub, turning on the shower head and detaching it as you frantically tried to wash him away. It was all wrong. He hated you and you hated him. That was how it worked.

 You cranked the faucet off and dropped the hose, falling back against the tub as your body shook. Your top was askew and splashed with water, your bottom half chilly from the cooling drops across your skin. You closed your eyes and swore aloud. Your plan had to been to bide your time but how much longer would you have?

tags: @they-call-me-le @holylulusworld  @petit-funsize @alexakeyloveloki @ladyofmyst @kellyn1604 @thelostallycat @grayxswan @collette04 @butteryoptimisticpeanut @buckycaptspideypool @blackpantherimagines @lilithhellfire @captainfreecandyvan @spaghettyrogers @phoenix21love @sathlens @iheartsebastianstan @lanabanana-86

[blackidyll]

It's been a long while since I've been on Tumblr, but here I am, trying to get back into my usual rhythm of life. Mainly: I'm alive, but I'm really, really tired.

The end of 2019/beginning of 2020 has been really insane. I fell sick for most of December - the whole cough/cold/sore throat trifecta that got so bad I finally ended up on antibiotics on New Year's Eve. I actually took two weeks of leave in December, but I was so sick and busy during this time that I basically got no rest whatsoever, and when I got back to work in January it was to drop straight into an absolute tsunami of work - one huge project ended the day before Chinese New Year, and immediately after CNY holidays I had another huge executive event to prepare for (I was working over weekends), and when that ended last week I got YET ANOTHER project dumped on me. Covid19 and the political situation in my home country is also taking its toll. I feel like the past two months has been an absolute blur - mostly of stress and negativity.

I'm so tired, you all.

Anyway, I'm trying hard now to pull back and strike a balance between work and having down proper time. I owe quite a few of you replies to messages and chats, and TBH there's like 60+ comments in my AO3 inbox that I haven't had a chance to respond to. I'm going to try hard over the next few weeks to get to all of them. I really appreciate every message and comment I get, because they constantly remind me there's still people and the entire world out there, when sometimes it's so easy to get caught up in my head with all my stresses and worries and the day-to-day grind.

I'm going to go throw a bunch of things in my queue to get this place kickstarted again, but in the meantime - have some fic recs. I've been reading a lot of fic to keep afloat the past three months; these are the WIPs I'm following at the moment. I'm completely out of creativity so my own fics will have to wait, but it always gives me a boost when I see some love for my WIPs, so if any of these appeal to you, give them a read and drop some love to those authors too.

The Bureau Files series by Catsafari [The Cat Returns, episodic/case style canon-based sequel; Baron/Haru]

i kill giants by diasterisms [Star Wars new trilogy; canon-based sequel to The Rise of Skywalker; Rey/Ben]

Ragnarǫkr, Part 3 of the Sharingan Rising series by weialala [Naruto; canon-divergence with supernatural elements; Sasuke-centric, technically Sasuke/Naruto but is more Sasuke's relations with everyone]

Peripeteia, Part 4 of the Carry Your Heart verse by mondaze [Shingeki no Kyojin; canon-based A/B/O verse, eventually diverges at the retake Shinganshina arc because Erwin lives (\o/); Erwin/Levi]

Just Another Day by Tierfal [Fullmetal Alchemist; post-manga series, Roy has severe PTSD; pre-relationship Roy/Ed]

try something new by gdgdbaby [Nezha (2019); post-movie oneshot where the two have grown up and gotten their bodies back; Nezha/Aobing]

WIPs that haven't been updated recently but since I'm on a roll, you all should read them:

Nukume Dori by Leareth [Tokyo Babylon, X/1999; canon-divergence, kind-of time travel with X!Subaru falling back into the TB!timeline with all his memories intact; Subaru/Seishirou, a lot of trio interactions with Hokuto] 

boy with a coin, Part 5 of the signal to noise series by twigcollins [The World Ends With You; post-game sequels exploring the consequences of Neku winning the long game and Joshua deciding to bring him back to life; Joshua/Neku]

(more info and my comments on each fic under the cut, because they get long)

The Bureau Files series by Catsafari [The Cat Returns, episodic/case style canon-based sequel; Baron/Haru]

I've been (re)watching Studio Ghibli movies on the weekends and I fell completely in love with The Cat Returns (I love Whisper of the Heart but I missed this movie somehow?). This wonderful sequel fic series focuses on an adult Haru that becomes a full-fledge member of the Cat Bureau and goes on plenty of adventures with the Bureau crew. It's also 500K words (!!!) of delicious slow slow slow SLOW burn between Baron and Haru. I just found out the author will be posting the next installation in the series this month, so you know. Perfect time to read the existing content and then follow the author's weekly updates for more of this amazing series.

i kill giants by diasterisms [Star Wars new trilogy; canon-based sequel to The Rise of Skywalker; Rey/Ben]

Yes, I'm a Reylo fan. I find the grey dynamics between Rey and a vaguely redeemed Ben Solo fascinating. I think it's because I was such a huge Luke and Mara Jade shipper from the Legends days. Anyway, I'd recommend pretty much all of diasterisms's Reylo fics (they nail the characterization + growth arcs incredibly) but this WIP in particular is a direct TROS sequel, which is great for all us fans who were very WTF about the way TROS ended. Also - lots of Force ghosts :D

Ragnarǫkr, Part 2 of the Sharingan Rising series by weialala [Naruto; canon-divergence with supernatural elements; Sasuke-centric, technically Sasuke/Naruto but is more Sasuke's relations with everyone]

I think my bookmark gushes enough about this series (and the previous installment) that I don't need to rehash it here. But anyway, this sequel is flipping amazing. The world building is so incredible omg. The wait between chapters is very long but so very worth it.

Peripeteia, Part 4 of the Carry Your Heart verse by mondaze [Shingeki no Kyojin; canon-based A/B/O verse, eventually diverges at the retake Shinganshina arc because Erwin lives (\o/); Erwin/Levi]

I'm usually very, very particular about my A/B/O verses (the concept squicks me a little but some writers subvert the trope and those are amazing) and this is a really great take on the trope - Erwin and Levi bond first out of necessity and then have to rebuild/realize a romantic relationship out of it later; they're already such strong friends and incredible partners that the bond actually throws them out of whack initially lol. But the evolution of their relationship is so well written, and the sub-plot about Levi being targeted is also great. Anyway, in this particular sequel goes back to the canon-timeline; Erwin survives the Beast Titan charge, everyone finds out about Marley, and the Survey Corps goes on a mission to make contact with the outside world. I don't actually follow the manga but I know enough that this sequel is really intriguing me. Also, Erwin lives. Thank goodness Erwin lives.

Just Another Day by Tierfal [Fullmetal Alchemist; post-manga series, Roy has severe PTSD; pre-relationship Roy/Ed]

Everything Tierfal writes is golden, but this one. Oh man, this one. It gets dark, and sometimes that's bad if you're already stressed (your mood doesn't need more depressing things to drag it down) but sometimes... you also want to indulge in it, because when you see a character go through hard and traumatic times and make it out the other side, it gives you hope too, you know? Anyway, right now at chapter 2, it's all trauma and pain for Roy, so take caution while reading this fic, but......... Ed. Oh my goodness, Ed. He tries so hard. He doesn't give up. This fic reminds me a bit of But Not Buried This Time, where Ed is the one drowning in his guilt... I remember thinking while reading that fic, "goodness, everyone needs a Roy like this in their life." Well, for this fic? I just keep thinking, "goodness, everyone needs an Ed like this in their life."

try something new [Nezha (2019); post-movie oneshot where the two have grown up and gotten their bodies back; Nezha/Aobing]

not a WIP but what the hell. So this version of Nezha is hell of a lot different from the Nezha I remember of my childhood (in that....... Nezha 100% kills Aobing lol and I remember being very conflicted because I love dragons and Nezha kills a lot of them, but at the same time deity!Nezha is pretty badass?). So anyway, someone with creative control DEFINITELY has shipper glasses on when they made this movie, I cannot get over how adorable Nezha and Aobing are. I really enjoyed this movie, it was so over the top and funny. And they made Nezha and Aobing literal soulmates? This fic is cute and adorable because it's Nezha and Aobing traveling and helping the world after they grow up and regain their bodies, and it's just tons of adorable teenage(?) confusion where they're hovering on the edge of friendship and something more. THEY ARE SO ENDEARING I love them!!

Nukume Dori by Leareth [Tokyo Babylon, X/1999; canon-divergence, kind-of time travel with X!Subaru falling back into the TB!timeline with all his memories intact; Subaru/Seishirou, a lot of trio interactions with Hokuto]

Instead of dying on the Promised Day, 25-year-old Dragon of Heaven Subaru wakes up in his 16-year-old body during the Tokyo Babylon timeline. Having seen what the future holds, he decides to continue with his original Bet with Seishirou - this time fighting to win. In the latest installment, we go pass the TB timeline into the years before 1999 and the changes that the divergence makes is just absolutely fascinating, plus we start seeing more of the X/1999 cast, whom I love and adore.

boy with a coin, Part 5 of the signal to noise series by twigcollins [The World Ends With You; post-game sequels exploring the consequences of Neku winning the long game and Joshua deciding to bring him back to life; Joshua/Neku]

I love Joshua so so much but he digs his own bed willingly and he lies in it with all the broken pride he can muster. He's very much the master of forfeiting the game before he can lose, except this time it's Neku standing beside him, and Neku is very, very stubborn. Trust your bloody partner, Joshua (I say, with all the love in my heart for this Joshua and this poor beleaguered but incredibly stubborn Neku and the all the game mechanics and worldbuilding in this series). Also, the latest cliffhanger is killing me but I'm ready to see Joshua go absolutely feral on anyone who would dare touch his city and his partner.  

[dukeofriven]

Let Boys Love Girl Things

For a deeply depressed, angry, and vitriolic bisexual 20-something who stumbled out of a toxic 2-year intensive college program confused as fuck about his gender and hurting everyone around him, it is with no exaggeration that I say My Little Pony: Friendship Is Magic’s low-key stakes, warmth, humour, kindness, and utter lack of cynical irony was my first step on the road not only to recovery but coming even sort of close to having an accord with my identity. So I quite frankly I am exhausted that I have spent nine years being judged on the behaviour of a fandom group from 4chan. Nine years ago there was a gross perpetuation of toxic masculinity where men were ridiculed en-masse for liking a “girl’s show,” a campaign of derision that only intensified as the worst elements of 4chan gave everyone the evidence they seemed to want to justify their snap-judgement that boys liking girls shows was fundamentally weird, gross, and worthy of censure. We like to clap ourselves on the back for how woke we are now. There’s no discourse that says it is “skeevy” that men enjoy She-Ra, and petulant MRAs on Reddit getting upset about the show’s new ‘feminist’ agenda is considered to be representative of nothing other than petulant MRAs on Reddit, not the She-Ra fandom as a whole. Steven Universe is triumphed everywhere as a victory for better masculinity - without anyone ever noting that Steven would love every single moment of My Little Pony: FiM. He’d cry at the wedding, and he’d weep at the destruction of the library, and he’d think the Storm King was an effective villain while Connie rolled her eyes and tried and failed to point-out the weak characterization. Steven would cheer and cry every time a villain was redeemed through the power of love and friendship. Because he’s Steven, and he loves schmaltz, and it’s okay for a boy to like schmaltz. If we truly believe that, as we say we do, it’s time let the habit of shaming boys who liked a cartoon show go. It’s been a decade. Yes: MLP: FiM had a disgusting contingent of its fandom. You know what other franchise has that problem? A little film series you might have heard of called Star Wars. A contingent of Star Wars fandom was so racist it drove actors of colour off of twitter because it piled hate upon them. It was so misogynistic that somebody out there recut the entirety of The Last Jedi so that men save the day and all the women get reduced to bit parts. And yet if I see a Star Wars avatar my first assumption generally isn’t “oh you like Star Wars, so you must therefore be a misogynistic racist.” Because statistically speaking, you aren’t - just like, statistically speaking, the men who liked My Little Pony weren’t 4chan users. Not that most people bothered to find that out, because - shockingly - the worst elements had loud voices and got all the press, and the standard we applied to them was so entrenched in patriarchy that none of us wanted to accept that men could like the girls show without it being some gross violation of the proper order. I’m tired of that. The show’s been on nine years - long enough that kids who grew up watching it are old enough to start entering “The Discourse Space,” and what kind of example do we want to set for them that a show that might have meant so much to them growing up is given a defacto label of deviancy? ”Adult males like this show about the little kiddie ponies - that’s so creepy.” There’s a point I want to make here that I think really needs to be said so I am going to make it large

My Little Pony: Friendship is Magic is a show for children; it is not a show about children.

What do I mean by this? Adventure Time is the story of Finn, a 12-year-old. Steven Universe is a show about Steven Universe, a 12-year-old. Ok K.O. is a show about K.O. a 6-11 year-old. Avatar: The Last Airbender is about a group of kids aged 11-14. She-Ra is a show about Adora who is… 16-ish? 17? And so on.

MLP:FiM is a show about 20-somethings. It’s a show about a grad student, a small business owner, a baker, a farmer, an environmental technician, a… trust fund baby?*... and, later, a former dictator. Yes, there are some kid characters, but the primary cast are all young adults who’ve reached adulthood and found themselves having to learn over and over again all sorts of shit they really ought to have known by now but don’t. It is, in short, a story about Millennials: an entire generation who reached adulthood not knowing what that meant or how to cope. Every time you laugh at the characters and go “how do they not know this [obvious thing that is obvious to adults]” you do so while watching a children’s cartoon rather than paying your taxes because you’re still not sure how to do that properly and are just low-key freaking out about it and hoping the problem goes away on its own. I speak from experience. The list in endless: we might ridicule the ponies ignorance at social graces, but i’ve been on this hellsite long enough that I’m pretty sure most of you are social-anxious neurotics who cock-up just as often and just as spectacularly as any pony on the show.

I’ve grown up in-sync with these characters. I’ve seen them go from floundering at 20 to sorta getting their act together and coming to grips with adult life as they reach 30. I’ve seen them become successful, get new jobs, start new careers. There have been episodes about how to deal with parents who embarrass you, how to get your parents to understand that you’re an adult now and want to be treated that way. There str stories about how to handle deadbeat older brothers who won’t stop mooching off your emotional labour, and how to mourn parents who’ve died. There are also stories about the byzantine nature of school regulation. (If next season is all about Twilight Sparkle reforming the Equestrian tax code it will be entirely in keeping with the adult-life-trend the show has been on for a while.)

My point with all this is that the “liking the kid’s show” narrative is disingenuous in the way it frames fans as creepy. To get tu quoque about it all I could raise my hand and point at all you adults gushing about all these kid protagonists in your favourite cartoon shows and go “Isn’t that CREEPY and GROSS you DEVIANTS” and on and on and on.

But I won’t.

Because it was never really about that, was it? It’s never been about that.

It was, at first, about what it was and wasn’t okay for boys - for men - to like. As a kid who’d been mercilessly bullied for being even the tiniest bit effeminate, openly embracing the fact that I liked this show about the colourful cartoon ponies felt like painting a target on my back. As for the boys younger than me - the boys still in high school in 2010 and 2011 who openly embraced this show? Braver than any US marine. When this all started it was about policing what was ‘appropriate’ for boys - nobody gave the adult Transformers fandom the same kind of shit, I assure you. It was about patriarchy - and how unwilling we all were to let go of it, no matter how progressive we told ourselves we were. Just like any moral panic, it developed a far more disturbing tone of disapprobation because if a handful of fans on 4chan were creepy than surely all the fandom was creepy. I’ve had plenty of fun mail in my inbox as people with cartoon avatars told me my opinion was invalid because I had an avatar from a different cartoon show. If I had an MP avatar that made me a “brony,” which made me a creepy MRA edgelord. Never mind that I don’t even use the term, and haven’t since… well, since the grossest elements of 4chan got it tattooed on their phalluses and trumpeted it to the heavens as the calling card of their misogyny.

There was a moment, I think, back in the halcyon days of 2010 and 2011 where we could have taken this another way. Where, socially, the rise of boys watching ‘the girl’s show’ was treated as a breakthrough, as a paradigm shift, as something to be celebrated and nurtured instead of something to revile like an anti-homosexual PSA from the 1950s. “Can’t let the adult men near that children’s show, who knows what might happen. They might repeat the trends that all fandoms have done for decades upon decades - the horror!”

We could have been better - but we weren’t. We mocked, and clutched our pearls, and looked appalled, and in doing so we fed the trolls all the ammunition they’d ever need to turn themselves into The Poor Oppressed Babies who just wanted to be left alone to watch their ponies and belittle women in peace. So the gender-questioning bi boy trying to feel good about himself got rounded-up with the usual 4chan suspects because we both enjoyed the same television program.

Patriarchy is not an external force with its boot upon our necks: it is a collaborative social effort, reinforced both consciously and sub-consciously every day. The internet of the early 2010s was a very different place, and the decisions we made then still live with us today. If we want to stop the perpetuation of toxic masculinity, we have to ourselves cease to perpetuate it. There’s an entire generation of queer boys and non-binary boys and non-bro cis-boys - the kind who cry and care and give a shit about kindness - who have grown up on Steven Universe and Adventure Time and yes, My Little Pony: Friendship is Magic. These are boys who deserve to have a better place prepared for them than I had, one that isn’t still littered by the baggage of all the dumb stupid crap from 2010 and 2011.

It’s time to let the ghost of Toxic 4chan Fandoms Past go already, and let this show about cartoon ponies be free to entertain and delight without incurring a moral inquisition. Life is so bad right now, the news is so dire. Curl up with My Little pony: Friendship is Magic and let all its goodness, and kindness, and laughter, and caring carry you away and remind you that we can still tell stories about worlds in which those virtues are treasured. Let the show stand on its actual merits, and not the cultural lodestones of long-gone reprobates. And stop granting the phantoms of 4chan the power to say anything meaningful in 2019.

_________________ *Serious question: what does Fluttershy do for a living? Like, as her job? For most of the series? She’s the only one who doesn’t have a meaningful career, and after meeting her enabling parents you just know she’s been living off pre-existing savings for years (she’s thrifty like that).

[Note: this post was originally posted in this thread. It has since been re-edited and slightly modified.]

[ruwithmeguys]

I don't think Felicity was sidelined in 7a but she has definitely been pushed aside in 7b and disgustingly so in the 150th episode. I think it's very naive to think otherwise. Emily also didn't film a single day for 7x17 as she was in LA the whole time so she's even going to miss her first episode ever. This is problematic.

I think it’s not the best thing to tell people that they’re naivefor having a different opinion to you. I never said to not be upset by how afavourite character is treated. I asked for people to see the bigger picture. Thatdoesn’t make me naive.

I don’t go around leaving asks in people’s inboxes tellingthem to make me feel better about something I don’t like, which is what some anonsdo with me.

What I did do, wasask people to stop sending me the same asks without taking even a few hours toconsider the words they were using and I know that they didn’t because in lessthan one hour after the title for 7.18 was released I received three asks allworded almost the exact same way:

ANOTHER EPISODE WHERE FELICITY’S BEING SIDE-LINED AGAIN.TELL ME I’M WRONG, COME ON!

Are you kidding me? I’m not here to make up for that.

Did I appreciate the lack of Felicity in 7.13? No I didn’t,but with Arrow it’s par for the course.

Do you know what IS naïve? Ignoring how the show hasprogressed since forever ago and then dishing out anger in inboxes. Arrow does an excellent job of beingcontinuously inconsistent, it tries to detract from its own mistakes, it veryliterally ignores plot holes and avoids the things that need focus. It’s donethis to every single character… and you guys EXPECTED 7.12 to be chock full ofwhat you wanted. No part of the fandom got what they wanted in 7.12. Thatepisode was DESIGNED to not only remind everyone of what the show had become,but to embrace the flash forwards.

The writers were telling us that, yes we’ve heard how much you don’t like the NTA and we’re getting ridof one of them soon so there you go! BUT.We don’t really care whether you detest Dinah and Rene. We need them to buildthe FF’s and to evolve the team so that when Stephen and Emily and David leaveArrow, it won’t feel quite so much like the earth cracking in two.

They don’t care.

7.12 wasn’t this deliberate attempt to push Felicity out ofit, it was hailing the masks as heroes whilst keeping Overwatch to the side:the city doesn’t know about her. The writers expect us to remember the thingsthey can’t be bothered to include in the episodes. Beth didn’t write 7.12,which was how I instinctively knew it wouldn’t have what I wanted, though I letmyself hope.

I don’t trust Beth, but I give her far more credence thanother writers on Arrow. They played us like a fiddle with their use ofmisdirection: the episode description alone suggested this, HOWEVER. Felicityhad the most important line in thisepisode.

She TOLD the audience to not use the word vigilantes to describeher husband. They’re heroes. There’s a reason Felicity said that and it leadsinto the FF’s. Why are the vigilantes looked down upon? Why are they hated whenwe’re seeing them finally be recognised in the present? Why does Mia blamethem?

Like it. Don’t like it. AT the end of the day, it won’tchange a thing. The show is deliberately trying to expand away from the coreteam and 7.12 was the flag ship for that. Notice how each episode after the crossoverhas been singular.

7.10 was Emiko’s revelation. 7.11 was Siren’s entire redemptivearc in one go. 7.12 was pushing an undeserving city to accept vigilantes for the heroes they are and a poor effort to bring back the john diggle of old. 7.13 was aboutOlicity as parents and William and how they get from a to b in terms of the present and future. 7.14 will be about OTA andFelicity’s pregnancy. 15 will be about OTA, the SCPD and the FF’s. 16 willbe about Mia. And so on and so forth. They’re all standalone episodes and it’sknocking us for a loop.

I would have loved for 7.12 to call-back to S2 and 3 and howOTA was set up. I THOUGHT this was the purpose to 7.12. Instead of focusing onthat, they focused on how the show has CHANGED, which wasn’t what a lot of us wanted.It focused on how it shaped from S5 through to 7 with some S1 thrown in. Ifthey hadn’t lauded the episode so much, WE wouldn’t have cared so much.

Also, a lot of my anons tend to decide weeks in advance thatan episode is going to suck. Remember how good 7.13 was? Do you want to take aguess at how many anons told me it would be the exact opposite?

Now yeah: I don’t care about BC because they’ve never beenable to stick with one which tells me they failed with that character big time. Sara. Laurel. Dinah. Evelyn.Now Zoe. Fail. Fail. Fail. Fail.

But, so what if they take an episode to focus on her. I’m not taking this asa personal insult to myself. Nor am I taking this as an insult to Felicity’scharacter. Felicity, Oliver and the birds and so flipping detached from each other at this point. In fact, they've never been close. Whenever Felicity gets focus, I notice that no one gave a crap about everyone else's lack of limelight.

Would I love for her to have the limelight always? Yes. Would it have been great if her being present in every single episode description continue forever? Yes. But all good things come to end. She'll get the limelight again (DO NOT ASK ME WHEN: I am not a psychic) at some point.

The ENTIRETY of the OTA are not a theme in 7.18 either. The birdsare. To be honest, I kind of get it. Think about it:

Aside from pulling Rene up, being a hypocrite and looking down on Oliver, what hasDinah’s SL been this year? NOW she’s lost her scream, perhaps forever. Perhapsnot. They just got rid of Curtis. This feels foreboding for her character.

Again, aside from trying to BE LL in order to redeem herselfand being Felicity’s BF, what is Siren’sSL this year.

I already listed the SL’s for felicity and they’re severaltimes that of the other two.

It doesn’t remotely bother me that Felicity (AND Oliver) won’tbe in 7.18 much (save from her being Overwatch for them) because it’s lordingup each version of bird they possess (including Sara and the dead ll). It mighteven be a goodbye. No, Dinah isn’tleaving. I meant a goodbye to the canary cry or whatever the hell.

What they shouldbe doing in this episode (but I’m not getting my hopes up) is finally makingthese women realise, like Felicity has always known, that you don’t need a metascream to make a difference. Dinah is the lost canary because she’s lost her ability.As I said before, she’s nothing without her scream, so maybe this is where sherealises that’s not true. Again, I don’t care. It doesn’t bother me. It’sArrow. This happens all the time.

Emily did film for17. And 16. And 18. She’s filmed for them all. Just not much.

Neither has Stephen. In fact, she and Stephen have filmedfor similar amounts recently. And though the after winter hiatus arc has neverfocused on Olicity the way 7.13 did, we’re not even half way through 7b. I’d rathersave my opinions until S7 is finished.

But I’m not here to make anyone feel better: if you don’t likemy opinions, then you don’t have to ask for them.

[pixiedane]

Tom Paris/Harry Kim?

I see Harry’s relationship to Tom as his most important on the ship. Period. He is close to others, especially B’Elanna, but Tom is special, and has been since their meet cute in Quark’s bar. Fresh out of the Academy, on his first assignment, on his first ship, on his first day – and he chooses to stand up to two of the most senior officers on the ship on behalf of the questionably charming criminal he just met. It reminds me of another Harry, Potter, when he chooses Ron over Draco their first day. And if Voyager wasn’t lost, and Tom went back to finish his sentence, Harry would be stuck on the ship working under people he’d disrespected on day one. That’s very interesting to me. Another example of Harry’s quiet bravery. 

So, best friends, who love each other, is canon in my viewing. Best friends who are in love with each other – yes and no. Certainly I read Harry as closer to and more attracted to Tom (and fwiw also B’Elanna) than any of his canonical love interests. And I read Tom as a little in love with basically everyone because he considers himself so unlovable. Harry is special to Tom, absolutely, but not exactly the way Tom is special to Harry. I think Tom (and fwiw also B’Elanna) considers Harry to be too good for them, the best of them. He thinks Harry deserves better – and he’d feel a lot of guilt about it. Tom is really good at guilt, almost as good at guilt as Kathryn is – and B’Elanna, and Chakotay, there’s a lot of guilt on that ship. Harry’s different because he doesn’t carry around all that guilt. He’s healthier. 

Season 1: Harry and Tom become close right away. Of everyone, Harry is the most upset about being lost in the DQ. His life had a plan – everything we learn about his family and past suggests he lived a charmed, sheltered life (also: I think he’s engaged to Libby because he’s supposed to be, not because he’s particularly attached. She’s pretty and kind and fits into his bubble, but I don’t see a lot of passion in what we get of their relationship.) and getting trapped 70+ years away from home and family is nothing he imagined. Tom was his first friend on the ship, they even met before the ship, by minutes but still, and he clings to that familiarity because it’s the best he’s got out here. Add the second person he gets close to, B’Elanna, who he goes through a traumatic experience with, and then works most closely with, and it makes sense the three of them end up a trio (and for sure I can see it as a romantic triad, though not this early). 

And Tom – Tom needs friends, right off, that’s the number one thing we learn about Tom. He’s actually terrible at being the loner he thinks he has to be/deserves to be. He glomps on to Harry, Kathryn, B’Elanna, Kes, even Neelix and Chakotay. Tom tries to be a bad boy, heartbreaker, buried feelings, laugh it off, basic jerk but he’s TERRIBLE at it. And Harry chooses to be Tom’s friend, eyes open. 

Season 2: So “Non Sequitur” and “Twisted” happen back to back and make it clear that Tom and Harry are each other’s most important person. As I say in my photocap, Harry pretty much explicitly chooses Tom over Libby so that’s a thing. And during the montage of people choosing who to spend their possible last minutes with in “Twisted”, Tom chooses Harry. If I were to insert a P/K romance into canon this is where I’d do it. 

Season 3: S3 brings us “The Chute” which is probably the shippiest Paris/Kim episode, but also an ode to friendship, and both interpretations are pretty great. Tom and Harry spend the entire episode sweaty and share a bed, and then Harry risks his life for Tom and Tom acknowledges it for the declaration of love it was. All GREAT. And if they’d lived the rest of their lives in that prison, at least they’d have been together (and together, I’m sure of it). 

But S3 also brings Paris and Torres closer together (I love them, but do feel for Harry) and an alternate timeline where Harry marries Tom and Kes’s daughter (yikes). 

Season 4-series end: Seven arrives, Paris/Torres are a couple, and Harry fades into the background. He’s still Tom’s bestie, he still has a crush, and if the P/K romance I mentioned earlier happened I can easily imagine P/T and P/K evolving into P/T/K. But it’s all a bit back burnered. 

S5′s “Timeless” is another one of those ‘Harry throws away his whole life to get back to Tom’ episodes but other than that the best we get are scenes of fun in the holodeck and a conversation here and there. 

SO: I think Harry loves Tom and Tom loves Harry. I think Tom might initiate a physical relationship that he would instantly regret (because he thinks he’s using Harry). I think Harry half resigns himself to being in unrequited love with Tom. I think Harry, Tom, and B’Elanna could have a great threeway relationship if they could get over their collective individual hang ups about being worthy of it. And I hope Harry found love when he got home. 

Finally, I think this has been in my inbox for at least 6 months so thank you for your incredible patience, I hope it is worth the wait. 

Send me a ship and I’ll give you my (brutally) honest opinion on it and/or write a scenario/give you a series rundown of my headcanons

[ettadunham]

A Buffy rewatch 3x21 Graduation Day Part 1

aka give us a kiss with a fist

Welcome to this dailyish text post series where I will rewatch an episode of Buffy and rant about it in 10-3k words. What you can expect: long run-on sentences and disjointed observations, often focused on one tiny detail about the episode. What you shouldn’t be expecting: actual reviews that make sense.

And today’s episode has a lot of everything, but I guess I’ll mainly just talk about Buffy and Faith. It’s been like 5 days since my last Fuffy rant anyway.

First of all, I wanna give a shout out to the anon namedropping the Still Pretty podcast into my inbox the other day. Congrats, I binged through the s1-s2 discussions already, and while I often don’t agree with a lot of points, it also put me into this weirdly critical headspace now. So there’s that.

But you know what, we’re gonna ignore a lot of that. There’s a lot of cool stuff in Graduation Part 1 that I like, even with some of those positively weird and questionable slices.

I mean the whole argument between Buffy and Angel is basically just reminding me that I too just want this to be done now? And you know what, here’s a hot take - Angel had no business there with Buffy on that crime scene. She didn’t want him there, she didn’t need him there, so of course she was annoyed with him. She doesn’t need to be the mature one when he’s the one adding nothing to this operation.

I also have a lot of mixed feelings about Anya and Xander at this point. The writing just went from 0 to 100 on the whole Anya likes Xander subplot and it’s weird.

Okay, over to some of the stuff I liked.

Buffy and Joyce’s scene here paints a nice picture of how far they’ve come. There’s something sweet about Joyce understanding what her daughter needs. Even if it is her staying away. (Which also somewhat foreshadows Joyce’s minimized role in the upcoming season.)

The difference between where they were at the end of s2 and s3 is also palpable if you look at the ever-present coming out metaphor.

Buffy:  Mom, I know that sometimes you wish I were different. Joyce:  Buffy, no.

Speaking of which, here’s also some delightfully out of context Bi Buffy reference for you all:

Willow (to Buffy):  You can’t do both? Xander:  Both what?

She can and she will, of course. But that’s for when I decide to re-read season 8 comics. I don’t know if there’s enough rant to cover all the nonsense in those though...

Buffy also has a lot of opinions about the Council, and that made me cheer. It’s so weird that we’re even now still treating the Council like this authoritative force, when Buffy pretty much told them to fuck off in Helpless. Now she’s just making it more official.

Wesley: The Council's orders are to concentrate on... Buffy: Orders? I don't think I'm gonna be taking any more orders.

Love that for my girl.

I guess in that context Buffy turning her back on the council isn’t necessarily about them, but about her turning her back on authority in general. Buffy saw the order and the system under which the world operates and she rejects it. She is here to carve out her own way, to truly “graduate”.

Meanwhile Faith has surrendered herself to the system and the Mayor’s authority. But there’s also nuance in that choice, thanks to the relationship the two develop along the way. Faith is following orders, but she’s also doing things her own way, and she clearly craves the direction she has thanks to the Mayor’s tutoring. There appears to be genuine affection between them, and much like between Buffy and Giles, a textual father-daughter relationship.

Faith even opens up a bit, talking about her mother and her childhood. During those moments was when I wondered about the Mayor’s treatment of her the most. He doesn’t seem to push her to talk and open up more about those experiences, and part of me wants to think that it’s because the Mayor has Ascension on his mind, and doesn’t actually have that much of a genuine care for Faith and to connect with those parts of her... On the other hand, pushing Faith to open up is a guarantee for her to shut down, and he probably knows that.

It’s... a tough line. Because I do think that the Mayor loves Faith, but it’s closer to the kind of love vampires have for each other, than truly selfless love. In my opinion, he mostly wants to mold Faith into the daughter he wishes to have in her.

Mayor: You look lovely. Perfect for the Ascension. Any boys that manage to survive will be lining up to ask you out. Faith: It just isn't me, though.

I know, Faith. The Mayor is so weirdly obsessed and heteronormative about Faith’s love life, he really is like any classically hellish parental figure.

Which brings us to Faith’s real obsession: Buffy.

I like that while we’re showing Faith seemingly relaxed about her whole position with the Mayor, we also see her murdering a punching bag, and having those half-finished sentences about her childhood. Despite everything, you still get the sense that there’s a lot of stuff going under the surface that Faith isn’t dealing with.

Having seen Five by Five also changes the entire context of the fight scene between Faith and Buffy. It of course begins with an innuendo, as all fights between the two do, but the end is what truly sets the mood and leaves me with a deep impression.

As Faith stands there at the edge of the balcony after Buffy stabs her, telling her ‘what a ride’ it was... You get the sense that this is how Faith saw it end all along. She’s been falling ever since she betrayed Buffy, and it was only ever going to end one way.

Giles tells Buffy that Faith ‘has her at a disadvantage’, because she’s willing to kill or whatever, but I don’t think that was ever true. Faith may kill people, but it’s not because she’s motivated. She’s certainly not motivated to kill Buffy.

Faith is just... going through the motions. She’s lost all her drive. Nothing seems to penetrate her heart.

Buffy on the other hand is highly motivated to save Angel. And that is the ultimate blow to Faith. Faith being in love with Buffy has been the rapidly textual subtext for the entire season, even if the Mayor of course tried to retcon it into Faith wanting Angel, or some other nonsense. But textual or subtextual, Faith’s actions were always about Buffy, one way or another.

And here Buffy is, ready to kill Faith in the hope of saving Angel’s life. That’s how little Buffy seemed to have cared about Faith in the end.

I’m not sure how much that played into Faith’s mental state, but I do believe that at this point, she was just tired. She was ready for it to end, much like in that haunting, unforgettable scene at the end of Five by Five.

And yet even then, she did one last favor for Buffy. She chose to take that last fall on her own terms.

There is an interesting question of what Buffy would’ve done if Faith didn’t take away that choice from her. When she stabs Faith, you can see the pure shock and horror on her face as it dawns on her what she’s done. Sure, she went to Faith’s place with this exact goal, but she wasn’t truly prepared to kill. And certainly not to kill Faith.

You can see in SMG’s face throughout this whole sequence, how horrified she is. Which definitely makes me think that she probably would’ve taken Faith to the hospital herself after that... but on the other hand, it’s Angel. And we’ve seen time and time again how much Buffy was willing to give up, even of herself for him. That was sort of the point of their whole relationship falling apart - the fact that they were constantly on the verge of losing themselves in each other.

So I find this a fascinating what-if scenario that I don’t know the answer to. Buffy killing Faith for Angel in that moment would’ve fundamentally changed her character. And I can’t say with certainty, that she wouldn’t have gone through with it after the shock subsided.

That’s why I love Faith for taking away that choice from Buffy. Because even if she were to die, her taking that jump meant that she would’ve died for nothing here, becoming a constant reminder and warning for Buffy about taking a life.

Killing another human being should be pointless and horrifying. That’s the lesson Faith chooses to teach Buffy in what could’ve been her final moments.

Meanwhile on Less Fucked Up Relationship Land, we have Oz and Willow “panicking”. I love them and they’re delightful, and I don’t have much else to say about that, other than that’s at least something much lighter to close on.

Sadly, I’ll probably only get to watch Part 2 about a week from now, but at least I’ll have plenty to process up until then.

[janiedean]

Anyone who think Kit is a good actor is an idiot. And there's so many of them. That's why the world is getting worse and will be dominated by robots 🤖

oddmy dearest @the-bitter-gremlin hopefully you’ll get the tag because I really wanna make sure you see this reply :’DDDDDD

now, point the first: thanks for calling me an idiot! :D I mean, okay, not that grades mean anything of course but given that I went as far as graduating HS in the top five of my class, that I have two degrees one of which with the highest possible vote in a field that’s technically not too easy and that it’s even certified that I speak at least one language at native-tongue level and I can get by in two others other than mine I think my brain is fine enough, thank you.

I also watched more movies than the average person (no, I did, really, I considered studying cinema instead of going to proper uni for real), my top ten favorite movies is all stuff made before the nineties except for one and all my favorite actors are Certified Good Actors Like For Real and I got called a snob for my movie/actor taste more times than I can count. the only reason I’m doing this long-ass preamble is to inform you that if someone can’t act, I can recognize it and I have absolutely no problem admitting it even if it’s someone I like as a person or whose work I enjoy. for one, I can 100% admit that my favorite italian actor when he was nine back then was pretty atrocious (he got better admittedly but I haven’t followed him in a while, so who cares), and I still enjoyed his movies anyway even if he was terrible and I even knew it, but hey, he was hot, so who cares, right? and I enjoyed a fair amount of horribly acted italian fiction because it was fun, so really, I don’t have anything to lose here.

this was all a long preamble to tell you that yes, my favorite actor is marlon brando not the first idiot passing off the street, and yes, kit is actually good at what he does and no, people are not idiots for thinking that.

now, never mind that idek if you saw him in anything that’s not GOT, but the only movie of his I’ve seen where he was really meh was the spy movie and that was because the entire plot sucked ass and the character was terrible but everything was terrible. for the rest, he certainly pulled a better american accent than half of the british actors I’ve heard (it was brimstone by the way, excellent movie, watch it), he can do comedy (watch seven days in hell :D) and ah, yeah, he’s just making a movie/finishing a movie with xavier dolan who’s like… not someone known for picking bad actors. also, uuuh, he went to school for that actually, but not just anywhere -

ah, wow, HE WENT TO THE SAME SCHOOL WHERE LAURENCE OLIVIER, VANESSA REDGRAVE AND JUDI DENCH WENT but okay, sure, they’d totally take someone talentless according to them? and actually:

In the 2008 Research Assessment Exercise the majority of Central’s submission was judged “world leading” or “internationally excellent”. The school has been ranked highly by The Guardian, placing it sixth in its league table of specialist institutions[9]and ninth for Drama and Dance.

LOOK AT THAT, TOP-NOTCH SCHOOL.

now, what is that british acting schools prepare people for? theater.

which means that he’s a theater actor first and foremost, which shows in his damned acting because if you notice he does half of it with his voice, but I guess you were too busy thinking he’s too good-looking to act, right?

except that not counting theater stuff, GOT was the first job he had *and* his first job on tv, which means that of course he wasn’t as good as the others in the beginning, because a) acting for the theater and for tv aren’t the same, b) it was his first job and not everyone is named leonardo dicaprio and can act their way out of a what’s eating gilbert grape at seventeen.

thing is: while at least one of his co-stars hasn’t improved in the role they have (imo but it’s also the writing) and most of the others GOT actors are either seasoned professionals or had acted for the camera before and had less issues adapting to it, he actually got better, and he actually acted a lot better when he was feeding off other people. case in turn:

that’s jon and jaime in s1. admittedly, not kit’s best effort unless you interpret it as jon being so lovestruck by jaime being around him that he’s like 404 page not found, and he had one scene with NCW from then until S7, and they didn’t even interact. NCW is miles better than he is here, obviously, but like, NCW has been in the job since the early 90s and I assure you his first danish movie isn’t his best acting effort either even if it’s not bad. BUT, let’s go to another S1 scene:

jon and sam discuss sex, yey! here he’s with a guy - john bradely - who’s probably (at this point) better than him at reciting on screen, but with whom he’s had a lot more scenes and that is playing his best friend and with whom he presumably hung out a lot and with whom he’s had a lot of time to work with. and even if it’s still S1, if you look at it it’s miles better - he does a lot more of microexpressions, he never looks at the camera (first sign of bad acting btw, he didn’t do it in the previous scene either but there he looked starstruck all the time, here he doesn’t) and like, you can already see that there’s a vast difference in between the two. and it’s the same season, five episodes apart - supposedly they also filmed it later and he’s already more at ease with it. 

now, small pause to remind you that at this point jon doesn’t have too much extra baggage BUT that kit actually read the damned book and you can see it because he makes very precise choices ie in the book after jon burns his hand he flexes the fingers of the hurt one every time he’s nervous or he’s about to lie or something, and he does the exact same thing (link here btw), and fyi, with the exception of partially alfie and gwen, no one in the cast actually went as far as that so HAHAHAHAHA WOW SUCH BAD ACTING, INNIT? anyway, that was season one. I’ll spare you and myself S2/¾ also because if I link you the jon/ygritte scenes I’ll shoot myself in the head. instead, let’s go to season five and 5x02, as in the season where I literally would have quit the fucking show if it wasn’t for jon’s storyline.

if you look at this, he doesn’t even say a fucking word until the ending, and you can see exactly what he’s thinking just looking at his damned face, because if you pay even the slightest bit of attention you notice that he changes expression minutely with every damned word sam and thorne say, you can see his eye movements, then he goes from complete sour to sad to angry to surprised to delighted to worried to happy again in the span of four minutes without even talking once and it’s miles better than anything he did in S1. 

or you could also rewatch the scene where he punches ramsay in S6 where he does a lot of microexpressions that speak for him without even talking, again, in an episode where he did all the stunts on his own same as the rest of the show, and that’s really not little given all the work it goes into being, uh, the main character, who also happens to have to be a seasoned fighter and use swords and so on. (I can’t link but I think I exhausted my limit for linking videos on tumblr so whatever *SHRUG*)

guess what: HE IMPROVED. GREATLY. IT SHOWS. learn to watch the damned thing, it doesn’t take going beyond GOT to realize it. and now, two last things I have to say to you before I finish this because I honestly wasted too much time on you already.

one: he might not be the best actor around - fair enough -, but kit’s definitely good imo. not passable, not decent, not average - he’s good. and he’s learning and he’s improved tremendously in the last eight years and it shows, and he put enough effort into this role to a) read the canon, b) incorporate the canon into it, c) actually changing scenes so that they fit canon more, d) do all his own stunts, e) carry 60% of this whole damned liver-destroying show on his shoulders since at least S5 in which his sl was the only saving grace of the entire thing and he executed it perfectly, so kindly fuck off and don’t go to people calling them idiots because they think an actor is good.

(ps: I

two: going into people’s askboxes and calling them idiots because they enjoy something and insulting what they enjoy is a) rude, b) uncalled for, c) an asshole move.

next time let me/us/whoever enjoy this guys’ acting in peace and keep your fucking opinion to yourself, because honest, if I could spend twenty years out of almost thirty of my life keeping my mouth shout about how much I hate HP to a) my rl friends, b) my internet friends and I could keep myself from informing them that I think it’s really bad under their posts or in their inbox or to their face because I’d be an asshole if I decided to shit on what they like, then you can pay me the same favor (or about anyone else) and not go around dissing stuff people like to their faces when they said openly they like them.

sayonara and call me when you get an emmy nomination :’)

[mittensmorgul]

Hey Mittens. I am still screaming about Gabriel, like everybody else here, but I am also thinking a lot about the DeanCas scenes... I can't help but think that there was a lot of passive aggressiveness in them, coming (exclusively?) from Cas. I feel like Cas is shutting Dean a little bit out now that he is in this new character arc, as if he was saying: "I can't do this forever, I cannot hopelessly pin after someone til the end of time". Which doesn't mean that his feeling have changed 1/?

2/? But it’s something I would totally expect of a person that decided to take care of themselves, not be okay with other people taking them for granted or being content with whatever they manage to get from an important relationship. And it’s like Dean and Cas swapped places, in a sense, because right now it looks to me like Dean is the one trying to get to Cas’ good graces, talk about feelings, and be there, while Cas acts all business, shuts him down and refuses to communicate emotions.3/? For example, him defending his decision to meet with Lucifer definitely looked like a knee-jerk reaction, like just needed to argue with Dean. It’s like every issue he had with Dean over the years is becoming very obvious to him, and years of suppressed anger and annoyance and hurt are coming bubbling up to the surface. It’s a bit sad to watch, but atthe same time I think that it’s a good thing. Conflicts and anger are healthy things in on themselves and part of every relationship. And there4/4 definitely are some suppressed negative emotions and conflicts that need addressing. I am sorry for this long message, truly, and I hope that I made sense and didn’t say something completely insensible. I was kind of interesting in what you thought about this dynamic. So far I have only seen people gushing about the DeanCas scenes. Thank you for your blog and the time you invest in it :)

Hi there, anon! First off, I’m gonna apologize for not replying sooner, but this came to my inbox like… a day before I left on an 8 day road trip, and then by the time I got back it was buried under a bunch of newer messages in my inbox. I’m finally getting caught up on Real Life™ enough to go inbox spelunking, so there’s gonna be some random old stuff as I dig through it all. :D

I personally didn’t see Cas as “shutting Dean out,” just because of all the other circumstances surrounding this situation– Cas having been captured, locked up by Asmodeus for several weeks, all the while impersonating Cas over the phone for Dean and Sam to minimize their suspicion– in addition to Sam and Dean having had some of their own difficulties such as being flung into the Bad Place, finding Jack whose Top Priority was telling Sam and Dean about his vision of Mary being tortured in the War World… then being called on by Donna and THEN the whole thing with the Plum Witches and Rowena…

Going all the way back to 13.07, we know that Cas had tried to contact Dean to tell him about Lucifer (and AU Michael who may be a credible threat, as well as the fact that AU Michael was the one who had Mary captive…). We saw how that ended. Cas was prevented from giving Dean all the details (by Lucifer snatching his phone), and Dean and Sam arrived minutes too late to the bar to meet up with Cas.

(then several weeks of Asmodeus interfering and misdirecting the Winchesters while keeping Cas and Luci prisoner)

SAM They have an angel tablet? CAS Yes. And the archangel, Michael, again the apocalypse world version, wants to use the spell to invade and conquer our world. That’s why I met with Lucifer. DEAN So..You met …Cas, I specifically told you not to do anything stupid. CAS Well, he was weak and given the context of our imminent annihilation it didn’t seem stupid. Lucifer wanted to help fight Michael. SAM Oh yeah Lucifer wanted to help, sure. CAS If he were lying I’d have known it. He was, he was scared. But Asmodeus showed up before we could finish our conversation and when we finally managed to escape Lucifer did try to kill me. DEAN Oh so much for helping. SAM He say anything about our mom? CAS She’s alive. That’s all I know. I’m sorry.

and then when Dean and Cas finally have a brief moment alone, before they’re interrupted yet again (because that’s Their Thing– Moosus Interruptus)

CAS It’s a long shot at best. DEAN Yeah well most of what we do are long shots, you get used to it. Cas, I’m sorry. All that time you were with Asmodeus, I should have known it wasn’t you.CAS No, he’s a shapeshifter, besides I was the one who got myself captured.DEAN Yeah, but if Sam and I knew you know we would have CAS Yeah I know you would have tried another long shot. I’m fine, Dean. DEAN You sure about that? CAS Right now all that matters is getting Jack and your mother out of that place. Kay? Look I promised Kelly that I would protect her son. I intend to keep that promise.

Circumstances once again prevented them from actually getting to the end of their conversation, but they DID both at least raise the subjects, and they did both come to mutual understanding within the limited time they had to talk privately.

Because this is how they are telling the story. It’s always been how they tell the story. The characters literally cannot reach the “end” of that conversation until the end of the overall story. They must be stopped by the narrative, over and over and over again.

(seriously, how many times do I have to refer to the story of Scheherazade and the 1001 Nights? This is the trope they’re using. Scheherazade literally could not finish a story before the end, until the entire narrative had reached its end, or else her life would’ve been forfeit. She literally would’ve been KILLED come morning, and it was only the promise of hearing the end of the story that spared her until the next night. THEY WILL NOT LET DEAN AND CAS FINISH THIS CONVERSATION BEFORE THE END. THAT IS A VERY GOOD THING! FOR THE STORY AS A WHOLE!)

We know that in addition to multiverse-toppling concerns in the main mytharc, ongoing attempts to find a way to rescue both Mary and Jack from the War World, worry about AU!Michael finding a way to our universe first and basically Apocalyps-ing us the way he did to his own world, as well as Asmodeus stirring up his own trouble, etc. etc. etc… Dean and Cas both ALSO have their own personal issues that they’re both still dealing with.

Sure Cas had a big Self-Revelatory moment in the Empty, metaphorically fighting back against his depression to the point that since his return he seems imbued with fresh purpose and will. A lot of his self-confidence is back, and instead of wallowing in feelings of worthlessness over failing to contact Dean to warn him about Lucifer and the rest, over having been captured and imprisoned, over having failed… he’s demonstrating that he’s moving forward now that he did finally escape and return to the Winchesters. He’s still got issues he must address, and he IS addressing them. It’s not all down to one moment in the narrative, though. It’s a process, and it’s still ongoing.

And after watching Dean mourn Cas’s death for the first five episodes, the depths of hopelessness he sunk to, and the complete turnaround toward hope he made after Cas returned, it’s still a process for him, as well. Yes, the entirety of his thoughts and feelings haven’t been addressed yet, because that would make for awful storytelling. Everything isn’t going to be dealt with at once, because the story is still unfolding and ongoing.

There’s still 10 more episodes in s13 to go, so even taking s13 as a single self-contained story, it would be like reading a novel and having all the characters reach their personal epiphany in the middle of the book. That’s just not how stories work.

So in that sense, yeah… I’m gonna gush about the fact that Dean and Cas at least reached the same page over the fact that they DO have as-yet-unresolved things they need to address with one another. It’s just that in the interest of the larger plot they’ve both essentially tabled (see what I did there? they were standing at the war room table, where conflicts tend to be hashed out on this show, and yes there is mountains of meta on exactly the sorts of conversations that happen at that table rather than the kitchen table or the library tables…) their emotional personal stuff for later.

I’m 100% okay with this, because as we saw in the rest of the episode, Dean and Cas were both textually and visually “aligned” with one another. From their verbal interactions to the numerous times they were visually shown just ~standing together~ in the background, all the subtext suggests that they’re on the same page, that they’ve reached and understanding, and that they’re as good with one another as the narrative will currently allow.

The other thing these numerous scenes remind us of is what we’ve been saying all season long (and even back in s12). The show has been continually reminding us of the fact that things happen offscreen. Important things. Things like Dean giving Cas a mixtape, Dean and Cas just hanging out together watching movies, Dean and Cas talking on the phone and texting one another.

We, the audience, do not see all the conversations they have, but that doesn’t mean they aren’t having those conversations.

(screencaps from HotN)

Just… hanging out together in the background:

Basically agreeing with each other at every turn, like the “We’re boned.” “Epically.” moment, but also agreeing completely on how to deal with Ketch…

That one shot where they were LITERALLY REFLECTED, standing together, for no narrative purpose other than to show that they’re still standing shoulder to shoulder… I mean…

Just hanging in the background looking at each other, as they do…

Every moment like this might not be a huge breakthrough revelatory moment, but it’s all progress.

So yeah, I’m gonna keep gushing over it all. I find it’s a lot more personally enjoyable than being mad about not skipping directly to the end of the story, you know?

[illgiveyouahint]

Hi there how are you doing? Im the cql anon if you remember me. Its been some time lol. Sry about that i took a break from fun stuff to study for an important exam. It was so exhausting but yeah now i have finally time to send you an ask haha. You probably dont have the memories as clearly in your head anymore since its been some time. Ah well my fault. I might have forgotten some of the stuff i wanted to ask u too. 1/2

Ok for one how did you like the whole show overall? What are your thoughts on the ending? Also the golden core reveal scene was so heartbreaking to me i cried so hard. What were your thoughts watching that one? Any other thoughts you had while watching that you remember? Hope its okay to just come back into your inbox after all that time. And have a good day dear :) ps i love the other shows you reblog a lot of these days. Ah such a treat seeing you on my dashboard ever time :D 2/2

OMG YOU'RE BACK!!!!!

HELLO HELLO HELLOO!!!

I missed you anon. Of course I remember you. I thought of you often as I was finishing and then starting a rewatch of the show.

I loved the show. I love fantasy genre but so often it's so bad that I don't actually watch it that often. But the way this show focused on all the different relationships and you got like fighting sequences but not too many and mystery murder case and war and betrayal and loyalty and what is good and what is evil and just all these great themes. I really really loved it. Also idk if I told it to you or someone else but it did remind me of Black Sails with some of these themes which is another show I adore. 

As for the ending...well I'm honestly confused by it. Like the whole exposition from Jin Guangyao where he's explaining things etc. over like 2 whole episodes just left me hella confused and I still don't quite understand it all. But I absolutely LOVED the interaction between jc and wwx there. I literally rewatch that scene every couple of days when I think of it 'cause it's just so good and so satisfying. Also since the last time we spoke I started slowly rewatching and giffing the show and I suddenly feel all these feels for jc and like he wasn't really my favourite but now he kinda is 'cause he's just hurting so much and I feel for him. which also brings me to the scene in Lotus Pier where wen ning tells jc the truth about the golden core which is also so freaking good and also a scene that I rewatch often. I'm so glad wen ning did that 'cause I was really worried that no one would ever know why wwx is the way he is and also so glad that lwj was there to hear it. Also the reveal about jc getting his core crushed only because he was saving wwx? God, I love such a circling thematic ending. If he didn't save wwx then he would get his core crushed and then wwx would not have to give him his core but then if he didn't save him then wwx's core would be crushed and he'd be without the core anyway. How poetic is that!!

I also loved the Yuan/Lan Sizhui reveal that was so cute. I still haven't seen the sequel with him and wen ning but I want to. That also made me emotional. The way wen ning didn't really wanna reveal to lan sizhui who he really is to him but then of course lan sizhui/yuan is such a good baby boi who of course loves wen ning anyway and is not ashamed of his heritage. Just G.O.D. it's so good you know?

Hmm, I'm trying to think. Oh yeah, one more thing about the ending. It simply doesn't make sense to me that lwj and wwx would separate even for just a minute after everything that happened. I mean the last like couple of episodes/ever since wwx resurrected they were GLUED to each other. They were so synchronised and did everything together. Like you cannot tell me that after all that wwx would just go toodle-oo see you later alligator and just fucking left lwj's side???? Like nah-ah no way there is no way that that's plausible.

NHS is still my favourite purely for the comedic gold. Even though he is a snake kinda. But still I cannot not love him you know?

Idk there's probably more but I can't think of it right now. Also, this is turning into rambling again.

Anyway, I'm so glad you returned my dear anon. And thank you for all those nice words you said. I don't deserve them but they're appreciated 💛

Take care 💛💛💛

[abumblebeeat221b]

Sherlock and the Female Gaze

If anyone asked me to point them to the most revolutionary piece of media ever created I’d probably show them Doctor Who (because guys - nothing beats a show that is basically Sherlock Holmes in space and keeps reinventing itself every other year).

But the second thing would be Sherlock. Not Doyle’s original, not the Rathbone, Granada, Soviet, new Russian adaptations (even though they are dear to me). Just 13 episodes of a TV show that was only ever meant to win some obscure film award in Eastern Europe and became a success over night instead.

The fandom that does its research has spent seven years trying to pinpoint its secret and the only thing we can agree on are three little words: it looks pretty.

On a more serious note: it is probably the first thing which made male eye-candy unashamedly mainstream. It is the millennial version of Pride and Prejudice, of Mr. Darcy, only that this time society doesn’t expect the story to bore our boyfriends to death.

And I’m not even sure that was something Mofftiss and Co were aiming for.

You see. It is a truth universally acknowledged that men have no idea what women like. They confuse it with male power fantasies ALL THE TIME because that’s what the media tells them we are day dreaming about. They are shocked to learn that we think Loki to be the sexually most appealing hero villain in the Avangers, that we consider Rodger from the original 101 Dalmatians to be perfect boyfriend material, that yes, we’d happily choose a dog loving, kind individual (with great hair) over most more manly super heroes out there.

And Sherlock ticks all the right boxes for women to find him attractive, while most guys wouldn’t think that lanky nerd to be much of a competition for them.

The cherry on our metaphorical fandom-cake is that Sherlock  is pretty much the first thing produced for a main stream audience I know of* which treats its leading male character as if he was a woman in order to cater to the female gaze (because the lgbqt+ community was not the only reason why the name Cumberbatch has showed up on most versions of the sexiest men alive lists since 2010/11).

Women look at Sherlock and think ‘sexy’ because we’ve been conditioned by the media to recognise this is what ‘sexy’ looks like.

And this my friends is where the magic happens.

You want the list? Here have the list:

A well-tailored suit is to women what lingerie is to men. And let me tell you Sherlock wearing suits doesn’t look like a coincidence from over here.

The coat. It’s like a cape. Only way cooler.

The buttons which deserve their own award™. We all know the story behind the coat™, but I’m not aware of the official one explaining why Sherlock couldn’t buy the purple shirt of sex™ in a bigger size (lucky us he didn’t). On a sidenote: too small dress sizes and strained buttons are exactly what actresses are expected to wear in front of the camera.

The white sheet of possibilities. Sherlock Holmes visits Buckingham palace wearing nothing but a sheet BECAUSE THE SCRIPT SAYS SO and I can’t be the only one feeling reminded of the long standing tradition of women having to take off their clothes for very important plot reasons™. Two series later, Moffat does it again, and while IMHO Sherlock should have kept his hospital gown on in His Last Vow, I’m aware that is a pretty problematic™ thing to say given how it belongs to the most beloved (i.e. gifed and photoshopped) bits of that episode. (While at the same time, apart from Irene Adler, we have no idea what the Sherlock ladies wear underneath).

The cheekbones. Oh. The. Cheekbones. It is shocking exactly no one that Carrie Fisher was asked to lose weight every time she played Princess Leia (yes, also that one). Benedict Cumberbatch lost weight for series 2, then went to play the villain in Star Trek: Into Darkness, came back to series 3 having to lose those muscles and some weight - which goes against the *typical* male beauty standards in the industry, just saying. (NB: I’m pretty sure he did it again for TAB and series 4, but series 2 and series 3 are the only instances I’m aware of him mentioning it).

The weapons of a woman. When was the last time the male hero was allowed to lose? James Bond gets the girl because he is the best agent out there. It’s always the best knight who slays the dragon and saves the princess. I agree today personality matters - but that just means that now he needs to slay the dragon AND be charismatic on the top of it.

Heroes aren’t damsels in distress, they don’t get favours because of their looks and smiles, they don’t rely on other people or need emotional support. They are lone wolves, strong and self-efficient in every possible sense of the word and they have more than just their muscles to show for it.

Not in Sherlock.

Odds (*literally odds*) are Sherlock wouldn’t have survived the first episode without John.

Here we have someone who manipulates Molly (and clients alike) using his charm to get what he wants. Sherlock relies on his social network all the time, his adventures are about showing us how being the Cleverest™, the Best™ does not equal success.

He gets saved, beaten and drugged by Irene Adler, and just in case we’d still have some illusions left, the script for that scene describes the leading male character with the words ‘weak as a kitten’. I leave you to draw your own conclusions.

In the same episode he wins a fight because of pepper spray.

He relies on his brother’s help to beat Moriarty. He shoots Magnussen because even Mycroft’s long arm doesn’t end up being long enough. The only reason he makes it out of that mess alive is his freaking sister he isn’t even aware of.

The point is. Sherlock is right when he points out the obvious: he is no hero, but a mess who solves crimes as an alternative to getting high. Yes, he is phenomenally good at what he does. But he also needs an assistant, someone who takes some part of the responsibilities off his not-so-bulky shoulders and helps him to win those victories.

The fairytale of the high-functioning sociopath. For some baffling reason, sometime between now and the dark middle ages humankind decided that European culture only ever allows men to seek companionship when somehow sex (or bragging about sex) is involved.

This is why “being friendzoned” is the worst that can happen to the modern man™. This is why they honestly don’t get the concept of just friends™. To a good deal of them female friends are like unicorns in that they don’t exist. To them the age old “if I’m not getting sex out of it then why should I bother?” argument works on both sides: “if you are not getting sex out of it then why should you care?”.

(Before you spam my inbox yes, I know Scrubs exists, I’m more than just familiar with House MD *laughs uncomfortably for ten years*. But. For every single piece of media that happens to get it right there are 10 AU remakes of Fifty Shades of Grey being published).

Now. What on Earth does this have to do with Sherlock?

NOTHING.  We see Sherlock having more healthy relationships in every single episode (yes even that one) than Bond will have in a lifetime. And no matter how much Sherlock insists on being a sociopath, the hero in this story has friends, imperfect friends, and whether he likes it or not they do care about him. And he cares about them too.

Otherwise Mycroft wouldn’t need to tell his little brother that caring is not an advantage and Sherlock wouldn’t meet those words like an old friend.

On top of it, the writers never code Sherlock and John as gay. No, they don’t. To be fair, they also don’t say he’s straight. However, they do make him canonically fall for Irene Adler (FYI: if him going ALL THE WAY to Karachi for her sake wasn’t a big enough clue, then MP!Sherlock keeping a picture of her in his pocket watch should have been).

And while we do see Sherlock invested in plenty of typical male stuff (he fights, he wins, he plays the rude smart arse, the hero, the brilliant detective) at the same time he also accepts it when in TEH John decides he wants to keep his distance, and Sherlock leaves the matter in Mary’s capable hands, John’s love interest, the woman who should be traditionally the mortal enemy of male friendships.

We had a whole episode which was basically Sherlock helping Mary with wedding preparations and not (just) having a bad time.

The next episode has him do his best to save his friends’ marriage. It also has him fake a relationship with a woman (who ends up owning a cottage in Sussex that comes with bees). But he never takes advantage of her even though she wouldn’t mind being taken advantage of. And when she gets her well deserved revenge he admires her for her agency. That boy is so smitten by Janine Hawkins that the original shooting script for His Last Vow  had them agreeing to marry each other should they end up without anyone else by the time they are old end grey (page 72, you’re welcome).

Sherlock gets his support system and it doesn’t ask for anything in return. He is allowed to struggle, to become emotional, to not deserve his victories and still be the hero of the show. Those 13 episodes have Sherlock stumble from one failure to the next but every single time we learn it doesn’t matter. He gets to learn from his mistakes, he gets to grow.

Yes, he has his ghosts and demons but he never needs to face them on his own, which is something I’ve only ever seen on this stupid show

_____ * If anyone wants to point out the masterpiece that’s George from the Jungle then yes, I’m aware of it (also, surprise surprise another film that was pretty popular with the LGBTQ+ folks). However, generally speaking it never became mainstream. Which is what I’m talking about here. And while Marvel’s Loki is mainstream, he is not the main character in The Avengers.